Harris Globalization and Contemporary Art

1. Auflage 2011
ISBN: 978-1-4443-9698-0
Verlag: John Wiley & Sons
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 552 Seiten, E-Book

In a series of newly commissioned essays by bothestablished and emerging scholars, Globalization andContemporary Art probes the effects of internationalist cultureand politics on art across a variety of media. Globalization andContemporary Art is the first anthology to consider the roleand impact of art and artist in an increasingly borderlessworld.
* First major anthology of essays concerned with the impactof globalization on contemporary art
* Extensive bibliography and a full index designed to enable thereader to broaden knowledge of art and its relationship toglobalization
* Unique analysis of the contemporary art market and itsoperation in a globalized economy

Autoren/Hrsg.

Harris, Jonathan

Inhaltsverzeichnis

List of Illustrations.
Notes on Contributors.
Introduction: Globalization and Contemporary Art: A Convergenceof Peoples and Ideas (Jonathan Harris).
Part 1: Institutions.
Introduction.
1 Real Time and Real Time at The Israel Museum, Jerusalem(Vivianne Barsky).
2 Peddling Time When Standing Still: Art Remains in Lebanon andthe Globalization That Was (Walid Sadek).
3 Homogeneity or Individuation? A Long View of the CriticalParadox of Contemporary Art in a Stateless Nation (PeterLord).
4 Museums in the Colonial Horizon of Modernity: Fred Wilson'sMining the Museum (1992) (Walter Mignolo).
5 Africus Johannesburg Biennale 1995: Butisi Tart? (NatashaBecker).
Part 2: Formations.
Introduction.
6 Post-Crisis: Scenes of Cultural Change in Buenos Aires(Andrea Giunta).
7 Evolution within the Revolution: The Afro-Cuban CulturalMovement and Cuban Art Collectives, 1975 to 2000 (ZoyaKocur).
8 Ka Muhe'e, He i'a Hololua: Kanaka Maoli Art and theChallenge of the Global Market (Herman Pi'ikeaClark).
9 Aboriginal Cosmopolitans: A Prehistory of Western DesertPainting (Ian McLean).
10 Working to Learn Together: Failure as Tactic (JudithRodenbeck).
Part 3: Means and Forces of Production.
Introduction.
11 The Two Economies of World Art (Malcolm Bull).
12 The Spectacle and Its Others: Labor, Conflict, and Art in theAge of Global Capital (Angela Dimitrakaki).
13 Cultural Mercantilism: Modernism's Means of Production: TheGutai Group as Case Study (Ming Tiampo).
14 Audiovisionaries of the Network Planet (SeanCubitt).
Part 4: Identifications.
Introduction.
15 Contemporary Asian Art and the West (DavidClarke).
16 World Pictures: Globalization and Visual Culture (W. J. T.Mitchell).
17 Leaves of Grass and Real Allegory: A Case Study ofInternational Rebellion (Albert Boime).
18 Collaboration in Art and Society: A Global Pursuit ofDemocratic Dialogue (Nikos Papastergiadis).
Part 5: Forms.
Introduction.
19 Globalization Questions and Contemporary Art's Answers: Artin Palestine (Khaled Hourani).
20 Political Islam and the Time of Contemporary Art (AmnaMalik).
21 Displaced Models: Techniques and Tactics of Reproductionacross the Genres and Institutions of Western Art from Duchamp toDoujak (Lewis Johnson0.
22 White Man Got No Dreaming: Indigenous Art, Apartheid and theEmergence of "Global Style" Painting in Australia (JeanetteHoorn).
23 The Discourse of (L)imitation: A Case Study with Hole-Diggingin 1960s Japan (Reiko Tomii).
Part 6: Reproduction.
Introduction.
24 Art and Postcolonial Society (Rasheed Araeen).
25 Why Art History is Global (James Elkins).
26 The Agency of the Historian in the Construction of NationalIdentity in Colombian Architecture (FelipeHernández).
27 Aboriginal Art and Australian Modernism: An AlthusserianCritique (Darren Jorgensen).
28 Gesturing No(w)here (Nermin Saybasili).
Part 7: Organization.
Introduction.
29 The Emergence of Powerhouse Dealers in Contemporary Art(Derrick Chong).
30 The Art Market in Transition, the Global Economic Crisis, andthe Rise of Asia (Iain Robertson).
31 Global Contemporary? The Global Horizon of Art Events(Charlotte Bydler).
32 "Institutionalized Globalization," Contemporary Art, and theCorporate Gulag in Chile (David Craven).
33 Culture, Neoliberal Development, and the Future ofProgressive Politics in Southeastern Europe (ZhivkaValiavicharska).
Select Bibliography.
Illustration Credits.
Index.

Über Autor(innen)

Jonathan Harris is Professor of Global Art & Design Studies for the Winchester School of Art at the University of Southampton. He has published widely on contemporary art history and theory, and is a successful textbook author. His works include The New Art History: A Critical Introduction (2001) and Art History: The Key Concepts (2006).