Creativity, Religion and Youth Cultures

1. Auflage 2019
ISBN: 978-0-367-34808-3
Verlag: Routledge

Buch, Englisch, 256 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 376 g

Reihe: Routledge Advances in Critical Diversities

This book explores the rich intersection between faith, religion and performing arts in culture-based youth groups. The co-constitutive identity-building work of music, performance, and drama for Samoan and Sudanese youth in church contexts has given rise to new considerations of diversity, cultural identity and the religious practices and rituals that inform them. For these young people, their culture-specific churches provide a safe if "imagined community" (Anderson, 2006) in which they can express these emerging identities, which move beyond simple framings like "multicultural" to explicitly include faith practices. These identities emerge in combination with popular cultural art forms like hip hop, R-&-B and gospel music traditions, and performance influences drawn from American, British and European popular cultural forms (including fashion, reality television, social media, gaming, and online video-sharing). The book also examines the ways in which diasporic experiences are reshaping these cultural and gendered identities and locations.

Autoren/Hrsg.

Harris, Anne M.

Fachgebiete

• Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kultur- und Sozialethnologie: Allgemeines
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Religionssoziologie
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kultursoziologie
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Populärkultur

Inhaltsverzeichnis

Introduction: About This Book

Section 1: Samoan Mediascapes and Faith-as-Performance

Section 1 Overview

1. Education and the Creative Imaginary

2. God Culture and the Capacity to In/Aspire

3. Semblance and Praisesong

Section 2: Religion, Art and a South Sudanese Post-National Imaginary

Section 2 Overview

4. Imagining New Individualities / New Collectivities

5. The Art of Gender in South Sudanese Mediated Diasporas

6. Meaning and "Madolescence"

Conclusion

Über Autor(innen)

Anne M. Harris is Senior Lecturer at Monash University, and researches in the areas of creativity, performance and diversity.