Buch, Englisch, Band 328, 157 Seiten, Format (B × H): 157 mm x 236 mm, Gewicht: 336 g
Buch, Englisch, Band 328, 157 Seiten, Format (B × H): 157 mm x 236 mm, Gewicht: 336 g
Reihe: Historical Materialism Book Series
ISBN: 978-90-04-53792-7
Verlag: Brill
This book argues for the relevance, appropriateness, and usefulness of historical materialism to the musicological project. It interrogates the history of encounters between Marxism and music studies — both within and without the Soviet sphere — before staging the missed encounter between classical musicology and Second International Marxism. It concludes with a framework for understanding style history in terms of changes in the forces and relations of musical production.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Politikwissenschaft Politische Ideologien Marxismus, Kommunismus
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Geisteswissenschaften Philosophie Ästhetik
- Geisteswissenschaften Musikwissenschaft Geschichte der Musik
Weitere Infos & Material
Acknowledgements
Introduction
1 The Realist Conception of Art
1 The Realist Conception of Art
2 The Materialist Conception of Music History
2 The Cultural Phase of Industry
3 Disenchantment and Musicological Method
1 Either History or Aesthetic Experience
2 Against Marxism
3 Against Positivism
4 Classical Musicology
4 Democratic Formalism
1 Failed Revolution and Liberalisation
2 Discursivity and the Authority of Musical Norms
3 Against the Rule of Sentiment
5 Style Criticism and Historical Materialism
1 Style and Its Discontents
2 Style and Spirit
3 Style and Technique
4 Style and Historical Materialism
6 Forces and Relations of Musical Production
1 Forces and Relations
2 Primitive Musical Communism
3 Minstrel and Chapel Singer
4 Thoroughbass and the Opera Industry
5 The Musician Entrepreneur
6 Organised Musical Labor
7 After Capitalism
Appendix: The Harmonic Ideology
Bibliography
Index