Grover-Friedlander Vocal Apparitions

The Attraction of Cinema to Opera
1. Auflage 2015
ISBN: 978-1-4008-6674-8
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 216 Seiten

Reihe: Princeton Studies in Opera

Grover-FriedlanderMichal:

Michal Grover-Friedlander teaches in the Musicology Department and the Interdisciplinary Program in the Arts at Tel Aviv University.Michal Grover-Friedlander teaches in the Musicology Department and the Interdisciplinary Program in the Arts at Tel Aviv University.

Autoren/Hrsg.

Grover-Friedlander, Michal

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Frontmatter, pg. i
Contents, pg. vii
List of Illustrations, pg. ix
Acknowledgments, pg. xi
Introduction, pg. 1
CHAPTER 1. The Phantom of the Opera: The Lost Voice of Opera in Silent Film, pg. 19
CHAPTER 2. Brothers at the Opera, pg. 33
CHAPTER 3. Otello’s One Voice, pg. 53
CHAPTER 4. Falstaff ’s Free Voice, pg. 81
CHAPTER 5. Opera on the Phone: The Call of the Human Voice, pg. 113
CHAPTER 6. Fellini’s Ashes, pg. 131
NOTES, pg. 153
INDEX, pg. 183

Über Autor(innen)

Michal Grover-Friedlander teaches in the Musicology Department and the Interdisciplinary Program in the Arts at Tel Aviv University.