Buch, Englisch, 200 Seiten, HC gerader Rücken kaschiert, Format (B × H): 187 mm x 263 mm, Gewicht: 791 g
Buch, Englisch, 200 Seiten, HC gerader Rücken kaschiert, Format (B × H): 187 mm x 263 mm, Gewicht: 791 g
ISBN: 978-94-6426-258-2
Verlag: Sidestone Press
Elite Renaissance men and women commissioned, wore and gifted intricate and valuable pieces of jewellery. For most, this was not simply adornment, but used to communicate messages and display status. These were intimate personal possessions and suggest the meanings invested in them by their owners, that resonate with audiences today. Such jewels are evocative objects.
This lavishly illustrated book brings together expert voices from the key Scottish collections (National Museums Scotland, National Galleries of Scotland, Royal Collection Trust) to explore the making, meaning and function of such jewellery in sixteenth century Scotland, and features an interpretation of the Fettercairn Jewel by the jewellery expert Geoffrey Munn. It reveals hitherto underappreciated evidence of goldsmithing in Scotland while considering significant continental influences in the design and production of jewellery. Given the ephemeral nature, and rare survival of Renaissance jewellery, its authors also suggest alternative ways of tracing the gems that have gone, in the portraits and inventories of Scottish men and women.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Author biographies
List of Figures and Tables
Acknowledgements
Foreword
Sam J.M.M. Alberti, Director of Collections, National Museums Scotland
1. The Renaissance in Scotland: historical and cultural contexts
Anna Groundwater, Principal Curator, Renaissance and Early Modern History, National Museums Scotland
2. The Fettercairn Jewel – An Interpretation
Geoffrey Munn, Art historian and jewellery specialist
3. The Mystery of the Fettercairn Jewel
Helen Wyld, Senior Curator of Historic Textiles, National Museums Scotland
4. ‘A Most Extraordinary and Very Curious Jewel’: the Darnley or Lennox Jewel
Deborah Clarke, former Senior Curator, Holyroodhouse Palace, Royal Collection Trust
5. Scottish Renaissance Jewels in the National Collection: making and makers
Lyndsay McGill, former Curator, Renaissance and Early Modern History, National Museums Scotland
6. Jewels in Sixteenth-Century Scottish Portraits
Kate Anderson, Senior Curator, National Galleries of Scotland
7. Tracing Royal Stewart Jewels in the Archives
Anna Groundwater
8. Analysis of the Fettercairn Jewel and other late sixteenth century Renaissance jewellery items associated with Scotland
Lore Troalen, Analytical Scientist, National Museums Scotland