Buch, Englisch, 142 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 388 g
Buch, Englisch, 142 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 388 g
Reihe: Routledge Studies in Crime, Culture and Media
ISBN: 978-1-032-44118-4
Verlag: Routledge
Taking three social problems as its subjects – capitalist political economy, structural injustice, and racism – the book explores the ways in which David Fincher’s Fight Club (1999), HBO’s Game of Thrones (2011–2019), and Jordan Peele’s Us (2019) offer solutions by reconceiving justice in terms of personal and collective transformation, utopian thinking, and the relationship between racism and elitism, respectively. In doing so, the authors set out a theory of understanding the world based on cinematic and televisual works of art and conclude with a template that establishes a methodology for future use.
An Epistemology of Criminological Cinema is authoritative and accessible, ideal reading for undergraduate and postgraduate students, criminologists, philosophers, and film, television, and literary critics with an interest in social justice and social harm.
Zielgruppe
Academic, Postgraduate, and Undergraduate Advanced
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Kriminalsoziologie
- Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
- Rechtswissenschaften Strafrecht Kriminologie, Strafverfolgung
Weitere Infos & Material
1 Introduction
2 Criminological cinema
3 Transformative justice
4 Utopian justice
5 Deterministic justice
6 Cinematic epistemology
7 Conclusion