Dreams of Germany

Musical Imaginaries from the Concert Hall to the Dance Floor
1. Auflage 2020
ISBN: 978-1-78920-826-9
Verlag: Berghahn Books

Buch, Englisch, Band 18, 320 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 466 g

Reihe: Spektrum: Publications of the German Studies Association

For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.

Autoren/Hrsg.

Gregor, Neil

Irvine, Thomas

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Deutsche Geschichte
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles

Inhaltsverzeichnis

List of Figures and Tables

Acknowledgments

Introduction

Neil Gregor and Thomas Irvine

PART I: SPACES AND MOMENTS OF AFFECT

Chapter 1. “The German in the Concert Hall”: Concertgoing and National Belonging in the Early Twentieth Century

Hansjakob Ziemer

Chapter 2. “Music Made in Hamburg”: How One City’s Music Scene Helped Make Rock and Roll the Lingua Franca of Youth

Julia Sneeringer

Chapter 3. “With Every Inconceivable Finesse, Excess, and Good Music”: Sex, Affect, and Techno at Snax Club in Berlin

Luis-Manuel Garcia

PART II: THE LOCAL, THE REGIONAL, THE NATIONAL

Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras

Neil Gregor

Chapter 5. Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38 123

Dana Smith

Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater

Emily Richmond Pollock

PART III: GLOBALIZING MUSICAL GERMANNESS

Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan

Brooke McCorkle

Chapter 8. Hubert Parry, Germany, and the “North”

Thomas Irvine

PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES

Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria’s 950th “Birthday” and the 50th Anniversary of Bruckner’s Death

Lap-Kwan Kam

Chapter 10. Hearing the Nazi Past in the German Democratic Republic: Antifascist Fantasies, Acoustic Realities, and Haunted

Memories in Georg Katzer’s Aide –Mémoire (1983)

Martha Sprigge

Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika

Sean Nye

Index

Über Autor(innen)

Gregor, Neil
Neil Gregor is Professor of Modern European History at the University of Southampton. His past books include Daimler-Benz in the Third Reich (winner of the 1998 Fraenkel Prize for History), Haunted City: Nuremberg and the Nazi Past (winner of the 2008 Fraenkel Prize for History), and How to Read Hitler (new edition, 2014).

Irvine, Thomas
Thomas Irvine is Associate Professor of Music at the University of Southampton. He has published widely in leading musicology journals in English and German. His book Listening to China: Sound and the Sino-Western Encounter, 1770-1839 is published by University of Chicago Press.

Neil Gregor is Professor of Modern European History at the University of Southampton. His past books include Daimler-Benz in the Third Reich (winner of the 1998 Fraenkel Prize for History), Haunted City: Nuremberg and the Nazi Past (winner of the 2008 Fraenkel Prize for History), and How to Read Hitler (new edition, 2014).