Harry Partch, Hobo Composer

Erscheinungsjahr 2014
ISBN: 978-1-58046-495-6
Verlag: Boydell & Brewer

Buch, Englisch, Band 120, 368 Seiten, Print PDF, Format (B × H): 152 mm x 241 mm, Gewicht: 704 g

Reihe: Eastman Studies in Music

Examines the impact of Harry Partch's hobo years from a variety of perspectives, exploring how the composer both engaged and frustrated popular conceptions of the hobo.

Harry Partch (1901-74) was one of the most distinctive and influential American composers of the mid-twentieth century. During the Great Depression, Partch rode the railways, following the fruit harvest across the country. Although he is renowned for his immense stage works, such as Delusion of the Fury, and his use of highly sophisticated instruments of his own creation, Partch is still regularly called a "hobo composer." Yet few have questioned this label's impact on his musical output, compositional life, and reception.
Focusing on Partch the person alongside the cultural icon he represented, this study examines Partch from historical, cultural, political, and musical perspectives. It outlines the cultural history of the hobo from the mid-1800s through the 1960s, as well as those figures associated with the hobo's image. It explores how Partch's music, which chronicled a disappearing subculture, was received, and how the composer ultimately engaged and frustrated popular conceptions of the hobo. And it follows Partch's later years to question his response to the hobo label and the ways in which others used it to define and contain him for over thirty years

S. Andrew Granade is Associate Professor of Musicology in the Conservatory of Music and Dance, University of Missouri-Kansas City.

Autoren/Hrsg.

Granade, S Andrew

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Inhaltsverzeichnis

Prologue: To Sound American
The Hobo in Partch's Early Life and Aesthetic
Interlude 1: Transients and Migrants
The Transient Journey
Bitter Music
A Knight of the Road
Interlude 2: Hoboes
U.S. Highball: Becoming a Musical Hobo
A Newsboy Letter
Trading on a Hobo Image
The Strangest Kind of Hobo
Epilogue: To Be American
Glossary of Instruments and Hobo Slang
Notes
Bibliography
Index

Über Autor(innen)

S. Andrew Granade is an Associate Professor of Musicology in the Conservatory of Music and Dance, University of Missouri-Kansas City.