Graham | Philosophy of the Arts | E-Book | sack.de
E-Book

E-Book, Englisch, 288 Seiten

Graham Philosophy of the Arts

An Introduction to Aesthetics

E-Book, Englisch, 288 Seiten

ISBN: 978-1-134-27121-4
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)



Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions. As with previous editions, the book:

- is jargon-free and will appeal to students of music, art history and literature as well as philosophy

- looks at a wide range of the arts from film, painting and architecture to fiction, music and poetry

- discusses a range of philosophical theories of thinkers such as Hume, Kant, Gaender, Collingwood, Derrida, Hegel and Croce

- contains regular summaries and suggestions for further reading.
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Weitere Infos & Material


Chapter One Art and Pleasure

Hume on taste and tragedy – Collingwood on art as amusement – Mill on higher and lower pleasures – the nature of pleasure



Chapter Two Art and Beauty

Beauty and pleasure – Kant on beauty -- the aesthetic attitude and the sublime – art and the aesthetic -- Gadamer and art as play – art and sport – summary



Chapter Three Art and Emotion

Tolstoy and everyday expressivism – Aristotle and katharsis -- expression and imagination -- Croce and 'intuition' -- Collingwood's expressivism - expression versus expressiveness – summary



Chapter Four Art and Understanding

Hegel, art and mind – art, science and knowledge - aesthetic cognitivism, for and against - imagination and experience - the objects of imagination - art and the world - understanding as a norm – art and human nature -- summary

Chapter Five Music and Sonic Art

Music and pleasure - music and emotion - music as language - music and representation - musical vocabulary and musical grammar - the uniqueness of music - music and beauty - music as the exploration of sound – sonic art and digital technology – summary



Chapter Six The Visual Arts

What is representation? - representation and artistic value - art and the visual - visual art and the non-visual - film as art - montage versus longshot - talkies - the 'auteur' in film - summary



Chapter Seven The Literary Arts

Poetry and prose -- the unity of form and content - figures of speech - expressive language - poetic devices - narrative and fiction - literature and understanding - summary



Chapter Eight The Performing Arts

Artist, audience and performer – painting as the paradigm of art – Nietzsche and The Birth of Tragedy – performance and participation – the art of the actor -- summary



Chapter Nine Architecture as an Art

The peculiarities of architecture - form and function and ‘the decorated shed’ - façade, deception and the 'Zeitgeist' - functionalism - formalism and 'space' – resumé --architectural expression -- architecture and understanding – summary



Chapter Ten Modern Art

The break with tradition – experimental art and the avant-garde – the art of the readymade – conceptual art – the market in art – art and leisure – summary



Chapter Eleven The Aesthetics of Nature

The objectivity of aesthetic evaluation - the artist's intention - the intentionalist 'fallacy' - natural beauty – environmentalism and the aesthetics of nature – summary



Chapter Twelve Theories of Art

Defining art - art as an institution - sociology and the Marxist theory of art - Lukacs and realism - Levy-Strauss and structuralism - Derrida and deconstruction - Hegel and Schopenhauer: normative theory of art - summary


GORDON GRAHAM is Regius Professor of Moral Philosophy at the University of Aberdeen.


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