Gonzalez | Temporary Stages III | Buch | 978-1-032-45412-2 | sack.de

Buch, Englisch, 292 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g

Reihe: Routledge Advances in Theatre & Performance Studies

Gonzalez

Temporary Stages III

How High School Theatre Fosters Spiritual Strength and Critical Consciousness
1. Auflage 2025
ISBN: 978-1-032-45412-2
Verlag: Taylor & Francis Ltd

How High School Theatre Fosters Spiritual Strength and Critical Consciousness

Buch, Englisch, 292 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g

Reihe: Routledge Advances in Theatre & Performance Studies

ISBN: 978-1-032-45412-2
Verlag: Taylor & Francis Ltd


Theatre activities ask adolescents to empathize with those who are different from themselves. Recognizing divergence invites self-reflection and kindles compassion. These actions tap students’ inner cores while at the same time deepening their understanding of privilege, a key component of critical consciousness.

Through the lens of critical pedagogy and feminist theory, this book explores the mutually reinforcing development of spirituality and emerging critical consciousness fostered by high school theatre experience. By examining her own public high school theatre program through description, analysis and interpretation, Gonzalez explores why and how theatre work can simultaneously fortify teens’ spiritual growth while activating dawning awareness of the socio-political dynamics in their own lives and the world around them. The book includes the original one-act play Free to Fly, which introduces young people to the dangers of sex trafficking of minors.

Temporary Stages III will appeal especially to secondary theatre teachers, theatre education pre-service teachers, and graduate students studying theatre pedagogy and critical cultural theory.

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Zielgruppe


Postgraduate and Professional Practice & Development


Autoren/Hrsg.


Weitere Infos & Material


Introduction to the Book

Section One: Ways spirituality manifests in a high school theatre program

Introduction to Section One

Chapter 1. Intersections Between Faith-Based and Secular Theatre Education

Chapter 2. Connecting Spirituality to the Rehearsal and Performance Experience

Chapter 3. Processing Grief and Trauma

Chapter 4. Reconciling with Challenges of the COVID-19 Global Pandemic

Chapter 5. How Failure in High School Theatre Fortifies the Spirit

Chapter 6. Rooted Deeply in Spirituality, the Artform of Mime Intrigues and Challenges Teens

Section Two: Ways critical consciousness manifests in a high school theatre program

Introduction to Section Two

Chapter 7. Insights for Understanding and Suggestions for Including the LGBTQ+ Community in High School Theatre Programs

Chapter 8. Theatre Teachers of Color Discuss Culturally Responsive Pedagogy

Chapter 9. The Complexity of The Crucible’s Tituba: Casting Conundrums for Actors and Directors

Chapter 10. Teaching Racism through Socially-Conscious Theatre Pedagogy

Section Three: The reciprocal nature of spiritual strength and critical consciousness

Introduction to Section Three

Chapter 11-A. The Devised Scene, Foundation of Free To Fly

Chapter 11-B. DEVISED SCENE on HUMAN SEX TRAFFICKING OF MINORS

Chapter 12. Free To Fly, An Original One-Act Play for Young People that Draws Attention to the Dangers of Human Sex Trafficking of Minors

Chapter 13. Problematizing Free To Fly

Chapter 14. Portraying Despicable Characters – How Introspection, Empathy, and Critical Analysis of Coercion Impact the Teen Brain

Chapter 15. The Physiological Function of Respiration - Breath Fortifies the Spirit and Exercises Critical Consciousness

Epilogue


Jo Beth Gonzalez, MFA, Ph.D. teaches theatre and public speaking and directs the drama program at Bowling Green High School in Bowling Green, Ohio, USA. Gonzalez is the recipient of the Bowling Green State University 2015-2016 Educator of the Year Award, Educational Theatre Association’s 2015 Ohio Theatre Educator of the Year, and the 2002 Wilson National Mentor’s Award to a High School Drama Teacher from the Children’s Theatre Foundation of America. In 2018, she participated in the U.S. State Department’s “Teachers for Global Classrooms” program. A Thespian Troupe Director, her students are actively involved in regional, state, and international Thespian events.



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