Honoring God and the City

Music at the Venetian Confraternities 1260-1806
Erscheinungsjahr 2007
ISBN: 978-0-19-534298-7
Verlag: Oxford University Press

Buch, Englisch, 392 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 635 g

Honoring God and the City presents the first detailed history of musical activities at Venetian lay confraternities, societies that were crucial to the cultural and ceremonial life of Venice. Based on over two decades of research in Venetian archives, musicologist Jonathan Glixon traces musical practices from the origins of the earliest confraternities in the mid-thirteenth century to their suppression under the French and Austrian governments in the early nineteenth
century. Glixon first discusses the scole grandi, the largest and most important of the Venetian confraternities. Scole grandi hosted some of the most elaborate musical events in the Venetian calendar, including lavish annual festivities for each scola's patron saint and often enlisting such
high-profile musicians as Giovanni Gabrieli and Claudio Monteverdi. Glixon places detailed descriptions of these events in the context of the scole grandi's long histories, as the roles of salaried musicians, singers, string players, and organists evolved over the centuries. The book's second part is concerned with the scole piccole, the numerous smaller confraternities born in churches throughout Venice. These local organizations, usually consisting of a modest number of salaried musicians
augmented by hired players, took part in annual festivities and performances and played a crucial role in local cultural life. Detailed appendixes include a calendar of musical events at all Venetian confraternities in the early eighteenth century and a complete listing of musicians for an important
seventeenth century festival. The result of painstaking research, Honoring God and the City demonstrates the vital role of confraternities in the musical and ceremonial life of Venice.

Autoren/Hrsg.

Glixon, Jonathan

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie

Über Autor(innen)

Jonathan Glixon received his Ph.D. from Princeton University and has spent twenty-five years researching musical activities at religious institutions in Venice. In collaboration with his wife, Beth L. Glixon, he conducted an archival study of seventeenth-century Venetian opera. He lives in Lexington, Kentucky where he teaches musicology at the University of Kentucky.