Films of Arab Loutfi and Heiny Srour

Studies in Palestine Solidarity Cinema
1. Auflage 2021
ISBN: 978-3-030-85353-2
Verlag: Springer International Publishing

Buch, Englisch, 107 Seiten, Format (B × H): 153 mm x 216 mm, Gewicht: 283 g

Reihe: Palgrave Studies in Arab Cinema

This book places long overdue focus on the Palestine solidarity films of two important Arab women directors whose cinematic works have never received due attention within the scholarly literature or the cultural public sphere. Through an analysis that situates these largely overlooked films within the matrix of an anti-Zionist critique of cinematic ontology, this book offers a materialist feminist appreciation of their political aesthetics while critiquing the ideological enabling conditions of their academic absenting. The study of these daring films fosters a much-needed, sustained understanding of the meaning and significance of Palestine solidarity filmmaking for and within the Arab world.

Zielgruppe

Research

Autoren/Hrsg.

Ginsberg, Terri

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Gender Studies, Geschlechtersoziologie

Inhaltsverzeichnis

1. Introduction.- 2. Feminist Auratics and the Radical (Re)Envisioning of Revolutionary Militancy.- 3. Trauma Critiques the Cinematic Confessional.- 4. Conclusion.

Über Autor(innen)

Terri Ginsberg is assistant professor of film and media at Concordia University in Montréal. She is the author of Visualizing the Palestinian Struggle and Holocaust Film: The Political Aesthetics of Ideology; co-author of Historical Dictionary of Middle Eastern Cinema; and co-editor of Cinema of the Arab World and A Companion to German Cinema. She is a founding member of the Middle East Moving Image Collective (MEMIC). Her forthcoming edited collection looks at the governmentalization of international film education.