Buch, Englisch, Deutsch, Band 99, 280 Seiten, Print PDF, Format (B × H): 152 mm x 229 mm, Gewicht: 581 g
Reihe: Eastman Studies in Music
Eighteenth-Century Opera in Fin-De-Siècle Paris
Buch, Englisch, Deutsch, Band 99, 280 Seiten, Print PDF, Format (B × H): 152 mm x 229 mm, Gewicht: 581 g
Reihe: Eastman Studies in Music
ISBN: 978-1-58046-400-0
Verlag: Boydell & Brewer
The pathbreaking revival in Paris ca. 1900 of long-neglected operas by Mozart, Gluck, and Rameau -- and what this meant to French audiences, critics, and composers.
Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works ofvisual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness.
William Gibbons is Associate Professor of Musicology at Texas Christian University.
Gibbons
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Focusing on the operas of Mozart, Gluck, and Rameau, Building the Operatic Museum examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works, mostly neglected during the nineteenth century, became the main exhibits in what William Gibbons calls the Operatic Museum -- a physical and conceptual space in which great masterworks from the past and present could, like works ofvisual art in the Louvre, entertain audiences while educating them in their own history and national identity. Drawing on the fields of musicology, museum studies, art history, and literature, Gibbons explores how this "museum" transformed Parisian musical theater into a place of cultural memory, dedicated to the display of French musical greatness.
William Gibbons is Associate Professor of Musicology at Texas Christian University.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
- Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)
- Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Romantik (ca. 1830-1900)
Weitere Infos & Material
Introduction
Museums
Restorations
(De)Translations
Transitions
Resurrections
Tragedies
Symbols
Monuments
Quarrels
Archaeologies
Notes
Bibliography
Index
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