Gerstner / Staiger Authorship and Film

Erscheinungsjahr 2013
ISBN: 978-1-135-22549-0
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 320 Seiten

Reihe: AFI Film Readers

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Autoren/Hrsg.

Gerstner, David A.

Staiger, Janet

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmproduktion, Filmtechnik
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften

Inhaltsverzeichnis

Introduction

Authorship Studies in Review
The Practices of Authorship: David A. Gerstner
Authorship Approaches: Janet Staiger

Authorship and Identity in Hollywood
The Auteur Theory, Curtiz, and Casablanca: Peter Wollen
I Hear Music and. Darryl and Irving Write History with Alexander's Ragtime Band: George F. Custen
Stepping Out from Behind the Grand Silhouette: Joan Harrison's Films of the 1940s: Christina Lane

Authorship and Identity Near and Far from Hollywood
Intentions and Mass Culture: Oscar Micheaux, Identity, and Authorship: Hugh Bartling
Cundieff's Revision of Masculinity in Film, or, A "Hard" Man is Not Necessarily Good to Find: Jacqueline Fulmer
John Waters Goes to Hollywood: A Poststructural Authorship Study: Walter Metz
Len Lye: Reading with the Body: Roger Horrocks
A Lost Man: Willie Varela and the American Avant-garde: Chon A. Noriega
Grassroots Authors: Collectivity and Construction in Community Video: Cindy Hing-Yuk Wong

The Author-Function
Reframing a Biographical Legend: Style, European Filmmakers, and the Sideshow Cinema of Tod Browing: Matthew Solomon
Robert Stigwood: Producer, Author, Text: Michael DeAngelis
Making Films Asian American: Shopping for Fangs and the Discursive Auteur: Sarah Projansky and Kent A. Ono

Über Autor(innen)

David Gerstner is Assistant Professor and Program Coordinator of Cinema Studies at CUNY, College of Staten Island. Janet Staiger is William P. Hobby Centennial Professor in Communication at the University of Texas, Austin, where she also directs the Center for Women's Studies. She is coauthor of the The Classical Hollywood Cinema (1985) and author of several books, most recently Perverse Spectators (2000) and Blockbuster TV (2001).