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E-Book, Englisch, 0 Seiten

Gamboa Shakespeare's Double Plays

Dramatic Economy on the Early Modern Stage
Erscheinungsjahr 2018
ISBN: 978-1-108-28111-9
Verlag: Cambridge University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

Dramatic Economy on the Early Modern Stage

E-Book, Englisch, 0 Seiten

ISBN: 978-1-108-28111-9
Verlag: Cambridge University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)



Presenting the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting requirements for all the plays Shakespeare wrote for the company between 1594–1610, and describes how using the embedded casting patterns can enhance their thematic and theatrical potential. Drawing on historical records, dramatic theory and contemporary performance this innovative work questions received ideas about early modern staging and provides scholars and contemporary theatre practitioners with a valuable guide to understanding how casting can be exploited to facilitate audience engagement. Supported by an appendix of speculative doubling charts for plays, illustrations and online resources, this is a major contribution to the understanding of Shakespeare's dramatic craft.

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Autoren/Hrsg.


Weitere Infos & Material


Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index.


Gamboa, Brett
Brett Gamboa is Assistant Professor of English at Dartmouth College, New Hampshire. He received his M.A. and Ph.D. from Harvard University, Massachusetts. His teaching and research focus mainly on Shakespeare's plays in performance, although he teaches courses that explore a range of artistic media, from lyric poetry to contemporary television. His essays and reviews on Shakespeare and other dramatists appear in several journals and books, and he recently published performance-oriented introductions and commentaries for the forty plays collected in The Norton Shakespeare. Gamboa's scholarship is informed by his work as a theatre director, having mounted productions for professional companies and on campuses, including ten plays by Shakespeare.



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