Buch, Englisch, 182 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 431 g
Ruinous Garden
Buch, Englisch, 182 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 431 g
Reihe: Routledge Contemporary Asia Series
ISBN: 978-1-032-10196-5
Verlag: Taylor & Francis
Framing destroyed, discarded, and displaced material objects within a rhetoric of development and relating this to the experience of ethnic/national culture, the book presents succinct analyses of visual works, as well as cultural criticisms, centered on space in metropolitan Japan and Hong Kong, China. These analyses are placed in dialog with approaches from postcolonial texts, addressing development and fractures in representation. Additionally, the book suggests graphic design as a form of retrospective cultural thinking, encompassing visual and invisible modernity, as well as an attachment to disappearing space.
Offering a unique and thorough analysis of Japanese visual culture, combining discussion on photography, installation art, and graphic design, as well as integrating material from Hong Kong visual culture in discussions of identity, this book will appeal to students and scholars of visual culture in East Asia, environmental art, and environmental humanities.
Zielgruppe
Postgraduate and Undergraduate Advanced
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Kunststile Asiatische Kunst
- Interdisziplinäres Wissenschaften Wissenschaften Interdisziplinär Regionalwissenschaften, Regionalstudien
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Stadt- und Regionalsoziologie
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Nicht-Graphische Kunstformen
Weitere Infos & Material
1. Debris of Identity: Visions of Japan and Images of Hong Kong 2. The Hedges of Brightness: Yanobe Kenji’s Adventure 3. The Violence of Disappearance: Hong Kong’s Dislocation 4. The Dislocation of Development: Toda Tsutomu’s Graphic Design 5. Between Memory and Fabrication