E-Book, Englisch, Band 12, 408 Seiten
Reihe: The Bard Music Festival
E-Book, Englisch, Band 12, 408 Seiten
Reihe: The Bard Music Festival
ISBN: 978-1-4008-3195-1
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Autoren/Hrsg.
Weitere Infos & Material
Acknowledgments ix
PART I THE EVOLUTION
Introduction: Constructions and Reconstructions of Debussy by JANE F. FULCHER 1
Debussy's Rome Cantatas by JOHN R. CLEVENGER 9
Debussy, Gautier, and "Les Papillons" by MARIE ROLF 99
Bilitis and Tanagra: Afternoons with Nude Women by DAVID GRAYSON 117
Beyond the Illusions of Realism: Painting and Debussy's Break with Tradition by LEON BOTSTEIN I41
The Symphony in Debussy's World: A Context for His Views on the Genre and Early Interpretations of La Mer by BRIAN HART 151
Speaking the Truth to Power: The Dialogic Element in Debussy's Wartime Compositions by JANE F. FULCHER 2O3
PART II THE CONTEXT
Debussy, Faure, and d'Indy and Conceptions of the Artist: The Institutions, the Dialogues, the Conflicts by GAIL HILSON WOLDU 235
Debussy, Mallarme, and "Les Mardis" by ROSEMARY LLOYD 255
Debussy in Fin-de-Siecle Paris by CHRISTOPHE CHARLE 271
PART III DOCUMENTS
Debussy's Paris Gonservatoire Training COLLECTED, EDITED, AND INTRODUCED BY JOHN R. CLEVENGER 299
"Le Cas Debussy": Revisions and Polemics about the Composer's "New Manner" COLLECTED AND TRANSLATED BY BRIAN HART 363
Index 383
Notes on Contributors 394