Foreign Opera at the London Playhouses

Erscheinungsjahr 2015
ISBN: 978-1-107-02221-8
Verlag: Cambridge University Press

Buch, Englisch, 272 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 660 g

Reihe: Cambridge Studies in Opera

In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to the original work.

Autoren/Hrsg.

Fuhrmann, Christina

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Romantik (ca. 1830-1900)
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassik (ca. 1750-1830)
• Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Introduction; 1. A tale of two Boieldieus; 2. The pippin and the pineapple: Rossini and Mozart; 3. 'The flood-gates of foreign music': Der Freischütz; 4. The search for Weber's successor; 5. Mozart and Rossini revisited; 6. Grand opera: competition and copyright; 7. Of foreigners and fidelity; Appendix 1. Operas adapted for the London playhouses, 1814–33; Appendix 2. Reviews of adaptations.

Über Autor(innen)

Fuhrmann, Christina
Christina Fuhrmann is a Professor in the Department of Music at Ashland University, Ohio. Her publications include articles in Nineteenth-Century Music Review and Gender, Sexuality and Early Music and a volume on Romanticism and Opera. Her critical edition of Henry Bishop's adaptation of The Marriage of Figaro was published in 2012.