Fugelso | Studies in Medievalism XXXV | Buch | 978-1-84384-782-3 | www2.sack.de

Buch, Englisch, Band 35, 246 Seiten, Print PDF, Format (B × H): 161 mm x 240 mm, Gewicht: 537 g

Reihe: Studies in Medievalism

Fugelso

Studies in Medievalism XXXV

Medievalism in Theory and Politics
Erscheinungsjahr 2026
ISBN: 978-1-84384-782-3
Verlag: D.S.Brewer

Medievalism in Theory and Politics

Buch, Englisch, Band 35, 246 Seiten, Print PDF, Format (B × H): 161 mm x 240 mm, Gewicht: 537 g

Reihe: Studies in Medievalism

ISBN: 978-1-84384-782-3
Verlag: D.S.Brewer


Essays exploring the intersections of politics and theory through medievalism in film, literature, gaming, and political movements.

Two vital, increasingly intertwined areas of interest are addressed by this collection: politics and theory. The volume begins with a general discussion of how the Middle Ages have been particularly mediated by subsequent artifacts. The essays then address: the motivations and machinations behind Joan of Arc AI in Gregory Benford's 1989 contribution to the Time Gate anthologies; medievalist historiography in Salman Rushdie's 1983 novel Shame; medievalist identity in Rome's contemporary far-right movement; Viking imagery in and around the Make America Great Again campaign; Robin Hood avatars in mid-twentieth-century B-westerns; medievalism by the Young German Order during the 1920s and 30s; the visibility of race in David Lowery's 2021 film The Green Knight; Orientalism and race in the 1974 game Dungeons & Dragons; manifestations of Chaucer's Pardoner in Kim Zarins' 2016 novel Sometimes We Tell the Truth; gender performance and sexuality in Maria Dahvana Headley's 2020 translation of Beowulf; and the term "Anglo-Saxon," particularly relative to the Ansax-1 and ANSAXNET online communities.

'"Donald the Orange": Vikings in and around the Maga Movement' is made Open Access under the Creative Commons licence CC BY-NC-ND.

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Weitere Infos & Material


List of Illustrations

Preface
Karl Fugelso

Medievalism, Reception Theory, and Media Archaeology: What is the Object of Reception?
Daniel T. Kline

Joan of Arc AI in Time Gate (1989): A Medieval Simulacrum in the Twenty-Second Century
Scott Manning

Navigating the Phantasmic: Medievalism and Mythic Historiography in Salman Rushdie's Shame
Sameera Abbas

Presente: Medieval Symbols and Mythic Identity in Rome's Far-Right Imaginary
Martina Marzullo

The Christian-Democratic Medievalism of the Young German Order
Patrick James Eickman

"Donald the Orange": Vikings in and around the Maga Movement
Tom Birkett

"Back in the Saddle Again" in Sherwood Forest: Robin Hood Avatars in Hollywood B-Westerns from the 1930s, 40s, and 50s
Kevin J. Harty

"Make Merry, and Tell Me What You See": Visibility of Race inColonialist Fantasy and David Lowery's The Green Knight (2021)
Sabina Rahman

From Chainmail to Tasha's Cauldron: Medievalism, Orientalism, and Race in Dungeon and Dragons
Helen Young and Mat Hardy

Undoing Chaucer's Pardoner in Kim Zarins' Sometimes We Tell the Truth
Mohamed Karim Dhouib

"War-wedded to a woe-bringer": Gender Performance and Queer Sexuality in Maria Dahvana Headley's Translation of Beowulf
Timothy S. Miller and Teddy Valentine

Ansax-l, ANSAXNET, and Anglo-Saxon: The Good, the Bad, the Weird, and the Wonderful
M. J. Toswell

Contributors


Young, Helen
HELEN YOUNG is a Senior Research Fellow in the School of Communication and Creative Arts at Deakin University, Australia where they hold an Australian Research Council Future Fellowship.

Toswell, M. J.
M.J. TOSWELL is a Professor at theUniversity of Western Ontario.



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