The Cambridge Companion to Vaughan Williams

Erscheinungsjahr 2013
ISBN: 978-0-521-19768-7
Verlag: Cambridge University Press

Buch, Englisch, 358 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 804 g

Reihe: Cambridge Companions to Music

An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been as much misunderstood as revered; his international impact and enduring influence on areas as diverse as church music, film scores and popular music has been insufficiently appreciated. This volume brings together a team of leading scholars, examining all areas of the composer's output from new perspectives, and re-evaluating the cultural politics of his lifelong advocacy for the music-making of ordinary people. Surveys of major genres are complemented by chapters exploring such topics as the composer's relationship with the BBC and his studies with Ravel; uniquely, the book also includes specially commissioned interviews with major living composers Peter Maxwell Davies, Piers Hellawell, Nicola Lefanu and Anthony Payne. The Companion is a vital resource for all those interested in this pivotal figure of modern music.

Autoren/Hrsg.

Frogley, Alain

Thomson, Aidan J.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts

Inhaltsverzeichnis

Chronology; Introduction Alain Frogley and Aidan J. Thomson; Part I. 'Who wants the English composer?': Forging a Path, 1890–1925: 1. The composer and society: family, politics, nation Julian Onderdonk; 2. Vaughan Williams's musical apprenticeship Byron Adams; 3. Becoming a national composer: critical reception to c.1925 Aidan J. Thomson; Part II. Works by Genre: 4. History and geography: the early orchestral works and first three symphonies Alain Frogley; 5. The songs and shorter secular choral works Sophie Fuller; 6. 'An Englishman and a democrat': Vaughan Williams, large choral works and the English festival tradition Charles Edward McGuire; 7. Folksong arrangements, hymn tunes, and church music Julian Onderdonk; 8. Music for stage and film Eric Saylor; 9. Chamber music and works for soloist with orchestra Christopher Mark; 10. The later symphonies Julian Horton; Part III. Activism, Reception, and Influence: 11. The public figure: Vaughan Williams as writer and activist David Manning; 12. Vaughan Williams, Boult, and the BBC Jenny Doctor; 13. Fluctuations in the response to the music of Ralph Vaughan Williams Michael Kennedy; 14. Vaughan Williams and his successors: composers' forum Peter Maxwell Davies, Piers Hellawell, Nicola LeFanu and Anthony Payne in conversation with Aidan J. Thomson; Select bibliography; Index of Vaughan Williams's works.

Über Autor(innen)

Thomson, Aidan J.
Aidan J. Thomson taught at the universities of Oxford and Leeds before being appointed Lecturer in Music at Queen's University Belfast in 2003. His main research interests are the music and culture of early twentieth-century Britain and Ireland, particularly the relationship between reception, criticism and analysis. His publications include articles and book chapters on Elgar (in 19th-Century Music, The Cambridge Companion to Elgar, Edward Elgar and His World, Elgar Studies, and Musical Quarterly), Ethel Smyth and Arnold Bax. He has served on the councils of the Royal Musical Association, the North American British Music Studies Association, and the Society for Musicology in Ireland, and is currently the reviews editor of the Journal of the Society for Musicology in Ireland.

Frogley, Alain
Alain Frogley has taught at Oxford and Lancaster universities, and since 1994 at the University of Connecticut; in 2008 he was Visiting Professor at Yale University. In 2005–6 he was a Fellow of the American Council of Learned Societies. A specialist in the music of the late-nineteenth and twentieth centuries, particularly that of Britain and America, he has also worked extensively on Beethoven. His research has centered on sketch studies, reception history and musical nationalism; his most recent work explores music and the modern city. Frogley is the editor of Vaughan Williams Studies (1996) and the author of Vaughan Williams's Ninth Symphony (2001); he has also contributed to the New Grove Dictionary of Music and Musicians and the Oxford Dictionary of National Biography.