Buch, Englisch, 428 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 884 g
Buch, Englisch, 428 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 884 g
ISBN: 978-0-415-33267-5
Verlag: CRC Press
First published in 2004. This is Volume I of a series on Popular Music, Critical Concepts in Media and Cultural Studies and focuses on Music and Society.
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Fachgebiete
Weitere Infos & Material
VOLUME 1 MUSIC AND SOCIETY Introduction PART A The making of popular music: meanings and values 1 Conspiracies of meaning: music-hall and the knowingness of popular culture 2 Francis James Child and the ‘ballad consensus’ 3 Classic blues 4 Ring shout! Literary studies, historical studies, and black music inquiry PART B The making of popular music: machines and media 5 A voice without a face. Popular music and the phonograph in the 1890s 6 The record industry: the growth of a mass medium 7 The early days of the gramophone industry in India. Historical, social and musical perspectives 8 The presentation of silent films, or music as anaesthesia PART C Being a musician 9 Making music together 10 The professional dance musician and his audience 11 Music among friends: the social networks of amateur musicians 12 Musicians’ magazines in the 1980s: the creation of a community and a consumer market 13 Women and the electric guitar PART D Music, entertainment and dance 14 ‘Everybody’s doin’ it’: the Pre-World War I dance craze, the Castles and the Modern American Girl 15 Kristen Klatvask fra Vejle: Danish pub music, mythscapes and ‘local camp’ 16 The dancer from the dance: the musical and dancing crowds of clubbing PART E Music and everyday life 17 ‘Universal’ music and the case of death 18 Adequate modes of listening 19 Chewing gum for the ears: children’s television and popular music
