Theatre History Studies 2018, Vol. 37

1. Auflage, 1. Auflage 2018
ISBN: 978-0-8173-7112-8
Verlag: University of Alabama Press

Buch, Englisch, 376 Seiten, Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 626 g

Reihe: Theatre History Studies

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference.

Autoren/Hrsg.

Freeman, Sara

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft

Inhaltsverzeichnis

- Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” — Stefan Aquilina
- “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon — Vivian Appler
- Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress — Kristi Good
- Staging Ajax’s Suicide: A Historiography — Peter A. Campbell
- Rousing Experiences: Theatre, Politics, and Change — Brian E. G. Cook
- Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze — Megan Lewis
- Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy — Patricia Gaborik
- To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring — Ilinca Todorut And Anthony Sorge
- Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today — Shulamith Lev-Aladgem
- “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements — Christine Woodworth
- “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism — Lurana Donnels O’Malley
- The Lasting Theatre of Dario Fo and Franca Rame — Juliet Guzzetta
- Chavez Ravine: Culture Clash and the Political Project of Rewriting History — Ashley E. Lucas
- The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity — Noe Montez

Über Autor(innen)

Sara Freeman is an associate professor of theatre at the University of Puget Sound. Freeman is a coeditor of International Dramaturgy: Translation and Transformations in the Theatre of Timberlake Wertenbaker and recently staged Anne Washburn’s experimental show Mr. Burns, a Post Electric Play.