The Human and the Machine in Literature and Culture

Cultures of Automation
1. Auflage 2025
ISBN: 978-1-032-89587-1
Verlag: Taylor & Francis Ltd

Buch, Englisch, 232 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: Perspectives on the Non-Human in Literature and Culture

Automation is everywhere: in the supermarket, in home appliances, and on our commutes. While we worry what automation means for human autonomy now, human societies have long wondered about their replacement by machines. The Human and the Machine in Literature and Culture explores the pervasive – and long-standing – influence of automation on humanity by dismantling the prevalent future-oriented perspective of many automation debates. This collection examines how literature has conceptualised automation over centuries, from utopian visions of a world liberated from work and domestic labour to dystopian futures in which humans are surplus to requirements. We set out social and industrial developments which feed into discourses of automation and its mediation in literary cultures. By bringing together theoretical approaches to real-world automation with readings of its literary interpretations, this volume demonstrates literature’s role as a space for hypothesizing alternate realities, making clear literature’s propensity to inform our attitudes to real-world phenomena.

Zielgruppe

Postgraduate

Autoren/Hrsg.

Foster, Kate

Crozier, Molly

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein
• Technische Wissenschaften Technik Allgemein Mess- und Automatisierungstechnik
• Geisteswissenschaften Literaturwissenschaft Literarische Gattungen

Inhaltsverzeichnis

List of Contributors

Acknowledgements

Introduction. Automation: This Time It’s (Probably Not) Different

Kate Foster

1.‘What we need is more automation’: Automation Debates in the Postwar Period

Ben Roberts

2. When the Clock Took the Floor: Technology as Non-Human Actor in Augusto De Angelis’ Detective Novel Il Banchiere Assassinato (1935)

Emanuele Stefanori

3. On the Threshold of Life and Death: Guido Cavalcanti and the Medieval Automaton

Rebecca Reilly

4. Monsters, Mechanics, and Automatic Writing in E.T.A. Hoffman’s ‘The Sandman’ and Gérard de Nerval’s ‘Aurélia’

Vanessa Weller

5. Forms of Computation in Hjalmar Söderberg’s and Thomas Mann’s Decadent Short Stories

Laura Alice Chapot

6. Prosthetic Verse: Technology, Embodiment, and Disability in French Poetry (1984-2024)

Léon Pradeau

7. Postcolonial Agency vs. ‘French Automation’ in Mounsi’s Territoire d’Outre-Ville

David Spieser-Landes

8. Humans in the Loop as Post-Literary Ghosts: Discomfort and Disruption on Amazon Mechanical Turk

Bruno Ministro

9. Bricolage, Wild Thought, and the Automation of Knowledge

Madeleine Chalmers

Coda

Molly Crozier

Index

Über Autor(innen)

Kate Foster is Lecturer in French Studies at the University of Reading, UK. Her research focuses on intersections of human bodies and technology in late-nineteenth and early-twentieth-century cultures. She is working on a monograph on fictional androids and cyborgs, and developing a new project on technology, disease and cultural history.

Molly Crozier is an early career researcher in French and Comparative Literature. Her research focuses on embodiment, gender and disability in twentieth century theatre. She is working on a monograph on disability in Samuel Beckett’s drama. She holds an honorary fellowship at the Institute of Irish Studies, University of Liverpool.