Early Music History

Studies in Medieval and Early Modern Music
Erscheinungsjahr 2008
ISBN: 978-0-521-10443-2
Verlag: Cambridge University Press

Buch, Englisch, Band 18, 428 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 691 g

Reihe: Early Music History

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eighteen include: The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione; 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem, treasurer of St Martin's in Tours; Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs.

Autoren/Hrsg.

Fenlon, Iain

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Mittelalter & Renaissance

Inhaltsverzeichnis

1. Music notation in Archivio San Pietro and in the Farfa Breviary John Boe; 2. The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione Susan Boynton; 3. Rinuccini the craftsman: a view of his L'Arianna Bojan Bujic; 4. Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian king Tess Knighton and Carmen Morte; 5. 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem treasurer of St Martin's in Tours Agostino Magro; 6. Diplomacy and musical patronage: Virginia, Guidubaldo II, Maximilian II, 'lo Streggino' and others Franco Piperno; 7. Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs Yolanda Plumley; Review.