Early Music History v17

Erscheinungsjahr 1999
ISBN: 978-0-521-62242-4
Verlag: Cambridge University Press

Buch, Englisch, Band 17, 272 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 596 g

Reihe: Early Music History

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seventeen include: Tropis semper variantibus: Compositional strategies in the offertories of Old Roman chant; Music, identity and the Inquisition in fifteenth-century Spain; Musical aspects of Old Testament canticles in their biblical setting.

Autoren/Hrsg.

Fenlon, Iain

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Mittelalter & Renaissance
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)

Inhaltsverzeichnis

1. Tropis semper variantibus: compositional strategies in the offertories of Old Roman chant Joseph Dyer; 2. Modal discourse and fourteenth-century French song: a 'medieval' perspective recovered? Sarah Fuller; 3. The Sforza restoration and the founding of the ducal chapels at Santa Maria della Scalla in Milan and Sant'Ambrogio in Vigevano Christine Getz; 4. Music, identity and the Inquisition in fifteenth-century Spain Eleazer Gutwirth; 5. O rex mundi triumphator: Hohenstaufen politics in a sequence for Saint Charlemagne Michael McGrade; 6. Musical aspects of Old Testament canticles in their biblical setting John Arthur Smith.