Jill Enfield's Guide to Photographic Alternative Processes

Popular Historical and Contemporary Techniques
2. Auflage 2020
ISBN: 978-1-138-22906-8
Verlag: Taylor & Francis

Buch, Englisch, 374 Seiten, Format (B × H): 178 mm x 254 mm, Gewicht: 2620 g

Reihe: Alternative Process Photography

Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing.

This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures.

Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.

Zielgruppe

Further/Vocational Education, General, Postgraduate, Professional, Professional Practice & Development, and Undergraduate

Autoren/Hrsg.

Enfield, Jill

Fachgebiete

• Geisteswissenschaften Kunst Fotografie Fotografie: Ausrüstung & Technik
• Geisteswissenschaften Kunst Fotografie Besondere Themen und Arten der Fotografie

Inhaltsverzeichnis

Dedication

Acknowledgements

Introduction: History of Photography – A brief timeline

Chapter 1 – Safety

Chapter 2 – Materials

Chapter 3 – THE DIGITAL NEGATIVE PROCESS: AND OTHER APPROACHES TO MAKING AND PRINTING NEGATIVES

Chapter 4 – FUGITIVE (Impermanent) AND NOT-SO-FUGITIVE PRINTING

ANTHOTYPES, PHOTOSYNTHESIS, AND LUMEN PRINTS

Chapter 5 - CYANOTYPES: OLD AND NEW APPROACHES: PLUS THE CUPROTYPE (Copper) PROCESS

Chapter 6 – SALTED AND ALBUMEN PRINTS

Chapter 7 – VAN DYKE BROWN, KALLITYPE AND ARGYROTYPE PRINTS

Chapter 8 – TRADITIONAL PLATINUM AND PALLADIUM PRINTS, THE MALDE – WARE TECHNIQUE and THE ZIATYPE

Chapter 9 – WET PLATE COLLODION

Chapter 10 – LIQUID EMULSION PRINTS and DRY PLATE TINTYPES

Chapter 11 – GUM PRINTING

Chapter 12 - TRANSFERS and DECALS

Chapter 13 - HAND PAINTING PHOTOGRAPHS: SILVER PRINTS, NON-SILVER AND INKJET PRINTS

Chapter 14 - MULTIPLE PRINTING AND OTHER TECHNIQUES

Chapter 15 - CERAMICS AND PHOTOGRAPHY

Sources, websites and Podcasts

Bibliography

Conversion Table

List of Artists

Index

Über Autor(innen)

Jill Enfield is a fine art photographer, educator, curator and author with many years of teaching experience. While well versed in digital imagery, Enfield’s concentration is on historical techniques and alternative processes, with annual workshops and lectures in locations throughout the USA, South America and Europe. Enfield’s work has shown in galleries and museums as well as private collections, and recently featured in a 3-month solo show on Ellis Island, USA, at PhotoVille in the DUMBO section of Brooklyn and in Los Angeles at the Annenberg Space for Photography.