Encyclopedia of Medieval Dress and Textiles of the British Isles, C. 450-1450 | Buch | 978-90-04-12435-6 | sack.de

Buch, Englisch, 8 Seiten, Format (B × H): 185 mm x 277 mm, Gewicht: 1724 g

Encyclopedia of Medieval Dress and Textiles of the British Isles, C. 450-1450

Buch, Englisch, 8 Seiten, Format (B × H): 185 mm x 277 mm, Gewicht: 1724 g

ISBN: 978-90-04-12435-6
Verlag: Brill


The single volume Encyclopaedia of Medieval Dress and Textiles of the British Isles c. 450-1450 is a unique work that intends to bring together in 582 signed articles the latest research from across the range of disciplines which contribute to our knowledge of medieval dress and textiles.
There has been a long-standing interest in the subject, which has recently manifested itself in a flowering of research and publications, including activities by the editors of the Encyclopaedia: the foundation of DISTAFF (Discussion, Interpretation and Study of Textile Arts, Fabrics and Fashion) as an umbrella organization for the presentation of papers at the major medieval congresses in Kalamazoo and Leeds (Netherton and Owen-Crocker); the establishment of the annual journal Medieval Clothing and Textiles (Netherton and Owen-Crocker); the Manchester Medieval Textiles Project (Coatsworth and Owen-Crocker); and the AHRC Lexis of Cloth and Clothing Project (Owen-Crocker and Sylvester).
There is a clear need for an interdisciplinary reference work which will introduce readers to various sources of evidence, and give clear information about the most recent discoveries and interpretations and bibliographical guidance to readers. The Encyclopaedia of Medieval Dress and Textiles of the British Isles c. 450-1450 contains also over 100 plates and diagrams to illustrate the text.
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Zielgruppe


Students of medieval material culture, art, theater, design and economic history, metropolitan and industrial studies, politics, archaeology, medieval literature, arms and armour, women's history; museums, art, galleries, departments of archaeology, art history, art institutes.

Weitere Infos & Material


Preface

Introduction and Timeline

List of Maps

List of Figures

Articles A-Z

Index

List of Contributors

List of Articles

Accessories

Ælfric’s Colloquy and Glossary

Aglet

Ailette

Aketon

Alb

Aldhelm

Alnage

Alnagers

Altar Cloth

Altar Frontal

Amber

Amice

Animal Fibre

Apparel

Appliqué

Archaeological Textiles

Arming Doublets

Armour

Armour: coif and capados/helmet linings

Arms and armour terminology in manuscripts

Aventail

Badges

Bands

Bast

Baudekin

Bayeux Tapestry

Bayeux Tapestry: evidence of arms and armour

Beads

Beaver Fur

Beds ante-1100

Beds post-1100

Bell
Belt

Bend

Bequests

Bezant

Black Prince: achievements of The Black Prince at Canterbury

Blackwell Hall London

Blanket

Bleaching

Bliaut

Body Garments ante-1100

Body Garments post-1100

Bokasin

Bologna Cope

Bolt

Book of Rights (Lebor na Cert)

Books

Books: book markers

Books: covers

Books: curtains

Books: embroidered parchment repairs

Books: spine lining

Boots

Botcher

Bourrelet

Bracer, Archer

Braie/Brael

Brandea

Bras

Bras Maunche

Brayer

Brayette/Brayer

Breuddwyd Rhonabwy

Brigandine

Broadcloth

Brocading

Brooches: England

Buckle

Buckram

Budge

Burel

Burl

Burnet

Buskins

Butler-Bowdon Cope

Button

Cadace

Calabre

Calendar

Camaca

Cambric

Canterbury Cathedral

Canterbury Tales

Cappers

Caps

Cards and Carding of Wool

Carpets and Rugs

Cat Fur

Cattle Tail Hair

Caulking and Sealing

Chain Mail

Chainse

Chalon

Chapemakers

Chaperon

Charles d’Orleans ‘Fortune Stabilnes’

Chastity Belts

Chasuble

Chaucer: career

Chaucer: dress

Chaucer: soft furnishings

Chausses

Check

Chemise

Chichester-Constable Chasuble

Church Furniture

Cilicium: hair cloth

Clare Chasuble

Cloak ante-1100

Cloak post-1100

Cloth

Cloth of Gold

Cloth: dimensions and weights

Clothiers

Clothworkers

Clove

Coat Armour

Coat of Plates

Codpiece

Cogware

Coif: military and non-military

Collections

Colour and Weave Effects

Colours of Liturgical Vestments and Hangings

Coney

Conservation of Archaeological Textiles

Cope

Coral

Cordwainers

Cornette

Cote

Cotehardie

Cotton

Cottons

Covering

Cowl

Crakou

Crannog

Cross Dressing

Crowfoot, Elisabeth

Crowfoot, Grace Molly

Crown

Cuffia/Cuffie

Cuir-bouilli

Curriers

Curtains

Cyprus

Cywyddau Gofyn a Dioloch

Dagging

Dalmatic

Damask

Decorative Techniques

Donor Portraits

Doublet

Drapers

Dream of Rhonabwy

Dress Accessories

Dress and Ethnicity

Dress and Gender

Dress Fasteners

Dublin

Duties on Wool and Cloth

Dyeing

Dyers

Ecclesiastical Dress

Ecclesiastical Dress post-1100

Effigies and Brasses

Ell

Emballage

Emblems

Embroiderers

Embroideries ante-1100

Embroidery

Enamel

Ermine

Exchequer

Fashion

Fasteners

Feathers

Felbrigge Psalter Embroidered Book Cover

Felt

Fibre

Finger Loop Braiding

Finishing

Fitch

Flax

Floor Coverings

Footwear

Fox Fur

Foynes

Fraternity

Frieze

Fringes and Tassels

Fripperers

Frouncing

Fullers

Fuller’s Earth

Fulling and Fulling Mills

Funerals ante-1100

Funerals post-1100

Fur

Fustian

Gambeson

Gamboising

Garter ante-1100

Garter post-1100

Gauntlet

Gawain Poet

Gemstones

Genette

Gerefa

Girdle ante-1100

Girdle post-1100

Girdlers

Glosses and Glossaries

Glovers

Gloves

Goat Hair

Gold and Silver Metal Thread

Gold and Silver Wire Drawing

Gore

Gorget

Goscelin

Gower, John

Gown

Great Wardrobe

Gris

Guilds: London

Guilds: provincial towns

Haberdashers

Haberget

Habit

Hair Accessories post-1100

Hairnet

Harlots

Hat/Hatters

Hatters

Haubergeon

Hauberk

Headgear

Hearse-cloth

Heckle

Hemming

Hemp

Heraldry

Heroic Literature

Hood

Horse Hair

Horse Trapper, Musée Cluny, Paris

Horse Trappings

Hose

Houppelande

Hourson

Hubert Walter

Hubert Walter

Hurers

Iconography and Symbolism on Textiles

Inscriptions


Gale, Owen-Crocker
Gale R. Owen-Crocker is an Anglo-Saxon specialist who enjoys interdisciplinary research, which uses, for example, archaeological evidence to illuminate Old English literature; and art, archaeology, glosses and text (both Latin and English) to explore the issue of Anglo-Saxon dress.
She is the co-founder and co-editor of the international journal Medieval Clothing and Textiles. Her recent books include King Harold II and the Bayeux Tapestry (2005); Dress in Anglo-Saxon England: revised and enlarged edition (2004), The Four Funerals in Beowulf: and the structure of the poem (2000), Medieval Art: recent perspectives (1998) and Anglo-Saxon Texts and Contexts (1998).

Gale R. Owen-Crocker is an Anglo-Saxon specialist who enjoys interdisciplinary research, which uses, for example, archaeological evidence to illuminate Old English literature; and art, archaeology, glosses and text (both Latin and English) to explore the issue of Anglo-Saxon dress.
She is the co-founder and co-editor of the international journal Medieval Clothing and Textiles. Her recent books include King Harold II and the Bayeux Tapestry (2005); Dress in Anglo-Saxon England: revised and enlarged edition (2004), The Four Funerals in Beowulf: and the structure of the poem (2000), Medieval Art: recent perspectives (1998) and Anglo-Saxon Texts and Contexts (1998).


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