Music behind the Iron Curtain

Erscheinungsjahr 2019
ISBN: 978-1-108-49367-3
Verlag: Cambridge University Press

Buch, Englisch, 318 Seiten, Format (B × H): 175 mm x 250 mm, Gewicht: 730 g

Reihe: Music in Context

Mieczyslaw Weinberg left his family behind and fled his native Poland in September 1939. He reached the Soviet Union, where he become one of the most celebrated composers. He counted Shostakovich among his close friends and produced a prolific output of works. Yet he remained mindful of the nation that he had left. This book examines how Weinberg's works written in Soviet Russia compare with those of his Polish contemporaries; how one composer split from his national tradition and how he created a style that embraced the music of a new homeland, while those composers in his native land surged ahead in a more experimental vein. The points of contact between them are enlightening for both sides. This study provides an overview of Weinberg's music through his string quartets, analysing them alongside Polish composers. Composers featured include Bacewicz, Meyer, Lutoslawski, Panufnik, Penderecki, Górecki, and a younger generation, including Szymanski and Knapik.

Autoren/Hrsg.

Elphick, Daniel

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikkritik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Europäische Länder
• Geisteswissenschaften Jüdische Studien Jüdische Studien
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte

Inhaltsverzeichnis

1. Weinberg in Warsaw; 2. The war; 3. Socialist realism and socrealizm; 4. Avant-garde(s); 5. Return and retreat; 6. Late style(s); Conclusion.

Über Autor(innen)

Elphick, Daniel
Daniel Elphick is a musicologist and researcher writing on East-European music and music analysis. He has published articles on Shostakovich and music analysis and is a regular speaker at international musicology and music analysis conferences. Daniel has taught at Royal Holloway, University of London and Goldsmiths, University of London, as well as the University of Manchester.