E-Book, Englisch, 564 Seiten
Reihe: The Art Seminar
Elkins / Williams Renaissance Theory
Erscheinungsjahr 2008
ISBN: 978-1-135-90245-2
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
E-Book, Englisch, 564 Seiten
Reihe: The Art Seminar
ISBN: 978-1-135-90245-2
Verlag: CRC Press
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism?
The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
- Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Renaissance, Manierismus
Weitere Infos & Material
Series Preface
Section 1: Introduction by Rebecca Zorach
Section Two: Starting Points
Section Three: The Art Seminar, Participants: Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler
Section Four: Assessments
Section Five: Afterwords
Notes on Contributors
Index