Buch, Englisch, 208 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g
Appropriating the Bard in Theatres, Cinema and Academia
Buch, Englisch, 208 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 453 g
Reihe: Routledge Studies in Shakespeare
ISBN: 978-1-032-97647-1
Verlag: Taylor & Francis Ltd
Shakespeare in Pakistan offers a comprehensive examination of the appropriation of Shakespearean plays in Pakistan, with a focus on how these works engage with creative, indigenous, cultural, culinary, and religious expressions of identity. The book traces the historical progression of Shakespearean adaptation in both pre- and post-independence Pakistan. This analysis encompasses theatrical and cinematic performances by prominent groups such as Theatre Wallay and the National Academy of Performing Arts (NAPA), both established in 2005. It meticulously explores the recontextualization of Shakespeare's works in the Pakistani context through postdramatic and performance theory lenses. Key performances discussed include Hamlet (2009), Richard III (2018), Here Lies a Noble Man (2015), and The Comedy of Errors (2014). The book also rigorously examines adaptations in Pakistani film and television, including the film Rahm, as well as television serials such as Burns Road ke Romeo and Juliet (2024) and Sang-e-Mah (2023). Drawing on a range of sources—live performances, video recordings, and Urdu translations of Shakespeare’s texts used specifically for performance—the study interrogates how Shakespeare is taught in Pakistan and how pedagogical approaches have evolved over time. The analysis further explores how Shakespeare’s texts are employed to investigate cultural differences and similarities between the West and the East. This book will be of particular interest to postgraduate students, scholars, and educators engaged in Shakespearean studies, especially within global and cross-cultural pedagogical contexts.
Zielgruppe
Academic and Postgraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction
Chapter 1: Shakespeare's Reception and Appropriation in Pre-Partition of Pakistan
Chapter 2: Shakespeare and Pakistan after Independence
Chapter 3: Experimentation and Revival of Pakistani Modern Theatre
Chapter 4: Sang-e-Mah (2022) Pakistani Recontextualizations of Shakespeare's Hamlet (1601)
Chapter 5: Burns Road's Culinary Foodway: A Heterotopic Ode to Shakespeare's Romeo and Juliet in Pakistan's Television Serial
Chapter 6: Cinematic Appropriation of Shakespeare's Measure for Measure (1603): A Gnoseological Exploration of Pakistani Muslim Identity
Chapter 7: Rewriting Shakespeare: Macbeth as Raees in Urdu Tradaptation
Chapter 8: Shakespeare in Academia: Institutionalizing Colonial Agendas in Pakistan
Chapter 9: Rethinking Shakespeare in Pakistani Academia: Beyond Colonial Pedagogies/ Shakespeare in Pakistan: From Colonial Legacy to Transformative Education