Edmonson | America Under the Influence | Buch | 978-1-032-26656-5 | sack.de

Buch, Englisch, 176 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 404 g

Reihe: Routledge Advances in Theatre & Performance Studies

Edmonson

America Under the Influence

Drinking, Culture, and Immersive Performance

Buch, Englisch, 176 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 404 g

Reihe: Routledge Advances in Theatre & Performance Studies

ISBN: 978-1-032-26656-5
Verlag: Taylor & Francis


In this book, Chloë Rae Edmonson analyzes performance sites from throughout U.S. history to reveal the material ways that drinking culture is performative, immersive performance is intoxicating, and how alcohol shapes performance space and practice.

Combining archival research with firsthand accounts of immersive spaces, this study demonstrates how social drinking and performance in themed spaces often collude to reify power dynamics latent to mainstream American culture, such as patriarchal values, racial and wealth inequality, and labor exploitation. Yet there are also examples of how performers, designers, and consumers creatively subvert such dominant attitudes in pursuit of their own creative expression and fulfillment. Part I examines historic bars and clubs that are immersive by design, while Part II explores immersive theatre productions from the 1980s to today. At the heart of all these American examples, of course, is alcohol, its associated cultures of immersive consumption, and the wide range of influence it can have on the bodies and minds of performers and participants.

In addition to its pop cultural appeal, this study will be relevant to scholars and university students interested in immersive theatre and performance, drinking culture, and American studies.
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Zielgruppe


Academic


Autoren/Hrsg.


Weitere Infos & Material


List of Figures

Acknowledgements

Introduction

PART I: Immersive Bars

1 – The Concert Saloon: Waiter Girls and Hetero-Masculine Drinking Culture

2 – Slumming: Racialized Intoxication and Black Performance in Prohibition-Era Harlem

3 – The Tiki Bar: Exoticized Cocktails and American Fantasies of Escape

PART II: Intoxicating Theaters

4: Tony, Tina, and Tamara: Champagne and Distinction in 1980s Immersive Theater

5: Contemporary Immersive Theater: The Cult of Ritual Drinking in Sleep No More and The Illuminati Ball

Conclusion: Drinking, Culture, and Immersion from a Distance

Index


Chloë Rae Edmonson is Assistant Professor and Dramaturgy Coordinator at the University of Central Florida School of Performing Arts, USA.


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