Virtual Music

How the Web Got Wired for Sound
1. Auflage 2005
ISBN: 978-0-415-96674-0
Verlag: Taylor & Francis Ltd

Buch, Englisch, 232 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 454 g

Virtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.

Autoren/Hrsg.

Duckworth, William (Bucknell University, USA)

Duckworth, William

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikveranstaltungen und -organisationen, Aufführungspraxis
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Introduction: Making Music in Thin Air Chapter 1 A Brief History of Interactive Music Chapter 2 Unsilent Night: A Case Chapter 3 The Brain Opera: A Case Study in Space Chapter 4 Music on the Web in the Twentieth Century Chapter 5 Cathedral: A Case Study in Time Chapter 6 Cell Phones and Satellites Chapter 7 Art and Ethics Online Chapter 8 The Grey Album: A Case Chapter 9 Virtual Music

Über Autor(innen)

William Duckworth has composed over 100 works, including his Time Curve Preludes for solo piano, and the choral work, Southern Harmony. A professor of music at Bucknell University, he teaches both music history and composition. He lives in West New York, NJ, and Lewisburg, Pennsylvania.