Buch, Englisch, Band 110, 238 Seiten, Print PDF, Format (B × H): 156 mm x 236 mm, Gewicht: 482 g
Reihe: Eastman Studies in Music
Buch, Englisch, Band 110, 238 Seiten, Print PDF, Format (B × H): 156 mm x 236 mm, Gewicht: 482 g
Reihe: Eastman Studies in Music
ISBN: 978-1-58046-483-3
Verlag: Boydell & Brewer
This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg's Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures.
Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist and Die Büchse der Pandora -- the plays used in the formationof the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in the Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays and incorporatedserial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as an ideal identity to beplayed out in the compositional process. In composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, andothers.
Combining analysis of Berg's correspondence, numerous sketches for Lulu, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled at the end of his life with his self-image as an "incorrigible romantic," and explains aspects of his musical language that have been considered strange or anomalous in Berg scholarship.
Silvio J. dos Santos isassistant professor of musicology at the University of Florida.
dos Santos
Narratives of Identity in Alban Berg's Lulu jetzt bestellen!
Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist and Die Büchse der Pandora -- the plays used in the formationof the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in the Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays and incorporatedserial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as an ideal identity to beplayed out in the compositional process. In composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, andothers.
Combining analysis of Berg's correspondence, numerous sketches for Lulu, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled at the end of his life with his self-image as an "incorrigible romantic," and explains aspects of his musical language that have been considered strange or anomalous in Berg scholarship.
Silvio J. dos Santos isassistant professor of musicology at the University of Florida.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik
Weitere Infos & Material
Introduction
Between Schoenberg and Wagner
Berg as Wagner: In Pursuit of an Ideal Identity
Refiguring Tristan
The Bild Motif and Lulu's Idenity
Marriage as Prostitution
Masculine, Feminine, and "In-between": Geschwitz as neue Frau
Conclusion: Berg's Wagnerism
Notes
Bibliography
Index
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