Dorr On Site, In Sound

Performance Geographies in América Latina
1. Auflage 2018
ISBN: 978-0-8223-7265-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 256 Seiten

Reihe: Refiguring American Music

Focusing on the hemispheric circulation of South American musical cultures, Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound to perceptions and constructions of geographic space, showing how people can use music and sound to challenge and transform dominant conceptions of place.

Autoren/Hrsg.

Dorr, Kirstie A.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Weltmusik
• Sozialwissenschaften Ethnologie | Volkskunde Volkskunde
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie

Inhaltsverzeichnis

Acknowledgments vii
Introduction. Thinking Site in Sound 1
1. Sounding Place Over Time: On the Sonic Transits of "El Cóndor Pasa" 25
2. Putumayo and Its Discontents: The Andean Music Industry as a World Music Geography 64
3. (Inter)national Stages, Mujeres Bravas, and the Spatial Politics of Diaspora 95
4. "You Can't Have a Revolution without Songs: Neighborhood Soundscapes and Multiscalar Activism in La Misión 145
Epilogue. Musical Pirates, Sonic Debts, and Future Geographies of Transit 175
Notes 189
Bibliography 217
Index 236

Über Autor(innen)

Kirstie A. Dorr is Associate Professor of Ethnic Studies at the University of California, San Diego.