Dickinson Arab Film and Video Manifestos

Forty-Five Years of the Moving Image Amid Revolution
1. Auflage 2018
ISBN: 978-3-319-99801-5
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark

E-Book, Englisch, 150 Seiten, eBook

Reihe: Psychology and Our Planet

Arab Film and Video Manifestos
presents, in their entirety, five key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond. The book collects together, for the first time, these influential, collectively written calls and directives that span a fifty-year period and hail from a range of different countries. Each urges a radical rethinking of film and video’s role in culture, its relation to politics, and its potential to instigate profound change. Kay Dickinson carefully positions the manifestos within their broader socio-historical contexts and provides supplementary reading and viewing suggestions for readers who cannot access Arabic-language sources.

Zielgruppe

Research

Autoren/Hrsg.

Dickinson, Kay

Inhaltsverzeichnis

1. Why the Manifesto?.- 2. The 
Naksa
’s New Cinema: New Cinema Group, “Manifesto of New Cinema in Egypt” (1968).- 3. Cinematic Third Worldism: “Resolutions of the Third World Filmmakers Meeting” (Algeria, 1973).- 4. Cinema within Armed Struggle: “Manifesto of the Palestinian Cinema Group” (1972) and Popular Front for the Liberation of Palestine, “The Cinema and the Revolution”.- 5. The Images Are the Revolution’s”: Mosireen, “Revolution Triptych” (2013).

Über Autor(innen)

Kay Dickinson
is Professor of Film Studies at Concordia University, Canada. She is author of 
Arab Cinema Travels: Transnational Syria, Palestine, Dubai and Beyond
(2016), as well as numerous articles on Arab film culture within such journals as 
Camera Obscura
, 
Screen
, 
Cinema Journal
, and 
Framework
. She co-edited 
The Arab Avant-Garde: Music, Politics, Modernity
 (2013), and co-wrote 
Film Studies: A Global Introduction
 (2016).