deWaard / Tait The Cinema of Steven Soderbergh

Indie Sex, Corporate Lies, and Digital Videotape
1. Auflage 2013
ISBN: 978-0-231-85039-1
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 256 Seiten, Format (B × H): 152 mm x 229 mm

Reihe: Directors Cuts

No detailed description available for "The Cinema of Steven Soderbergh".

Autoren/Hrsg.

deWaard, Andrew

Tait, R. Colin

Weitere Mitwirkende

Schatz, Thomas

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Einzelne Filmschauspieler, Filmregisseure, Drehbuchautoren
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Acknowledgements
Preface by Thomas Schatz
Introduction
Part One: Author, Brand, Guerrilla
1. The Dialectical Signature: Soderbergh as Classical Auteur
2. Impresario of Indiewood: Soderbergh as Sellebrity Auteur
3. Corporate Revolutionary: Soderbergh as Guerrilla Auteur
Part Two: History, Memory, Text
4. Searching Low and High: The Limey and the Schizophrenic Detective
5. Returning to the Scene of the Crime: Solaris and the Psychoanalytic Detective
6. The (Bl)end of History: The Good German and the Intertextual Detective
Part Three: Crime, Capital, Globalisation
7. Genre and Capital: New Crime Wave in the 1990s
8. The Ethical Heist: Competing Modes of Capital in the Ocean's Trilogy
9. Trafficking Social Change: The Global Social Problem Film in the 2000s
Conclusion
Filmography
Bibliography
Index

Über Autor(innen)

Andrew deWaard is a PhD student at UCLA, whose recent work regards media industries, digital humanities and screen synergy. His latest work can be viewed at andrewdewaard.com

R. Colin Tait is a PhD Candidate at UT Austin, whose recent publications include work on genre cycles, television, authorship and Robert De Niro. His latest work can be viewed at rcolintait.com

Thomas Schatz, is Professor in the Radio-Television-Film Department at the University of Texas at Austin. He has written four books on American film (and edited many others), including The Genius of the System: Hollywood Filmmaking in the Studio Era and Boom and Bust: American Cinema in the 1940s. His recent scholarly works include lead essays in The Contemporary Hollywood Film Industry (2008), Film Theory and Contemporary Hollywood Movies (2009), and Volume IV: 1976 to the Present, in Blackwell's History of American Film (2010).