E-Book, Englisch, Band 4, 109 Seiten, eBook
A Brief Discourse
E-Book, Englisch, Band 4, 109 Seiten, eBook
Reihe: Vision, Illusion and Perception
ISBN: 978-3-031-23348-7
Verlag: Springer International Publishing
Format: PDF
Kopierschutz: 1 - PDF Watermark
typical contours
are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian
Kakadu
crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by
Leonardo da Vinci’sperspective
and by
inverted (Byzantine) perspective
thought by some to be an aberration.
Bartel’s
studies show that pictorial depth is often achieved to the artist’s, and many a viewer’s, but not to geometer’s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ‘normal’ and inverted perspective.
The visual process is universally uniform (if it were not, one would not be able to recognise an
Altamira
bison as a bison) and its foibles can be freely exploited.
Its best known exploiter is probably
Cezanne.
His pictures are admired by many and puzzle many. Strzeminski postulated that they compound distinct lines of sight, thus endorsing primacy of
central vision,
a concept thought by
Gombrich
to be of greater import to geometers than to artists.
Zielgruppe
Research
Autoren/Hrsg.
Weitere Infos & Material
Introduction in which the reader enters pictorial donnybrook.- On perception of depth, real and portrayed.- On perspective in many guises.- On prof. Farish's immediately comprehensible and Cezanne's immediately puzzling pictures.- On cultural press; If we draw, what and how should we draw?.