Buch, Englisch, 240 Seiten, Format (B × H): 152 mm x 229 mm
Ghost Stories by Victorian Women Writers
Buch, Englisch, 240 Seiten, Format (B × H): 152 mm x 229 mm
Reihe: Routledge Studies in Nineteenth Century Literature
ISBN: 978-1-041-02852-9
Verlag: Taylor & Francis Ltd
This examination of thirty-two ghost stories by twenty-one Victorian women writers defines a new genre, feminist Gothic, that utilizes the Gothic structure and its uncanny atmosphere of ambiguity to deploy competing narratives that seek to undermine patriarchy by simultaneously upholding and subverting its dominant myths. While the surface reading of these tales interprets the outer, public, overt voice that is often one of patriarchal appeasement, a second reading uncovers an inner, private, covert voice that undermines the first. By focusing exclusively on women’s stories and by examining Victorian ghost stories by lesser known women writers alongside of those that have been disseminated and discussed more widely, this study aims to establish a definition of feminist Gothic that transcends the binaries of horror/terror, physical/psychological, intrusive/liminal and encompasses the issues that haunt the Victorian female literary imagination and the techniques women writers employ to incarnate and exorcise those revenants. Aimed at scholars of feminist literary criticism, Victorian literature, and the Gothic genre, this study combines close readings of primary sources with current scholarship, arranged thematically in chapters that examine women’s issues including marriage, children, and property ownership.
Zielgruppe
Academic and Postgraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
INTRODUCTION: Haunted Narratives: Liminality, Narrative Reliability, and Resolution
CHAPTER ONE: Haunted Love: Drowned Women and Revenge Fantasies “The Cold Embrace” (1860) by Mary Elizabeth Braddon “A Terrible Vengeance” (1889) by Charlotte Riddell Weeping Ferry (1898) by Margaret L. Woods
CHAPTER TWO: Haunted Memories: Pretty Boys and the Ones that Got Away “The Last House in C— Street” (1856) by Dinah Maria Mulock “Poor Pretty Bobby” (1873) by Rhoda Broughton “Thorleigh Moat: A Grandmother’s Tale” (1876) by A. E. Barker “The Story of the Rippling Train” (1888) by Mary Louisa Molesworth “Uncle Abraham’s Romance” (1893) by Edith Nesbit
CHAPTER THREE: Haunted Marriage: Mesmerism, Deception, and the Runaway Wife “The Man with the Nose” (1873) by Rhoda Broughton “In the Séance Room” (1893) by Lettice Galbraith “From the Dead” (1893) by Edith Nesbit
CHAPTER FOUR: Haunted Children: Legitimacy, Inheritance, and the Sins of the Fathers “The Old Nurse’s Story” (1852) by Elizabeth Gaskell “Walnut Tree-House” (1882) by Charlotte Riddell “The Open Door” (1882) by Margaret Oliphant
CHAPTER FIVE: Haunted Families: Legacy and the Baggage of the Past “The Secret Chamber” (1876) by Margaret Oliphant “The Weird of the Walfords” (1895) by Louisa Baldwin “The Undying Fire” (1895) by Mrs. St. Loe Strachey (Amy Strachey) “The Ghost of the Sedan-Chair” (1896) by Marie Corelli
CHAPTER SIX: Haunted Rentals: Uncanny Familial Spaces “The Truth, the Whole Truth, and Nothing but the Truth” (1868) by Rhoda Broughton “Chantry Manor House: A Ghost Story” (1876) by Mrs. Hartley “To Let” (1893) by B. M. Croker
CHAPTER SEVEN: Haunted Travel: Terror on the Road “The Phantom Coach” (1864) by Amelia B. Edwards “Under the Cloak” (1873) by Rhoda Broughton “At the Dip of the Road” (1896) by Mary Louisa Molesworth
CHAPTER EIGHT: Haunted Others: The Racialized Ghost Monsieur Maurice (1873) by Amelia B. Edwards “The Story of Salome” (1873) by Amelia B. Edwards “Old Mrs. Jones” (1882) by Charlotte Riddell
CHAPTER NINE: Haunted Bodies: Spirit Possession and Class Mobility The Strange Transfiguration of Hannah Stubbs (1896) by Florence Marryat “The Legend of Madame Krasinska” (1915) by Vernon Lee
CHAPTER TEN: Haunted Music: Ghostly Echoes and Lingering Fears “The Haunted Organist of Hurly Burly” (1886) by Rosa Mulholland “A Wicked Voice” (1890) by Vernon Lee “The Ensouled Violin” (1892) by Helena Blavatsky
