Buch, Englisch, Band 25, 829 Seiten, Format (B × H): 162 mm x 240 mm, Gewicht: 1383 g
Buch, Englisch, Band 25, 829 Seiten, Format (B × H): 162 mm x 240 mm, Gewicht: 1383 g
Reihe: Harvard Egyptological Studies
ISBN: 978-90-04-71467-0
Verlag: World Bank Publications
Ancient Egyptian Portraiture: History of an Idea concerns the origin, nature, and removal, the unravelling and explanation of the impasse pertaining to the definition, assessment, and judgement of Ancient Egyptian portraiture. Condensed in the syntagm different from ours, this impasse arises from the polarisation and dichotomy of idealism and realism which characterise the three main Egyptological definitions of portraiture. In offering a transcendental definition of art and portraiture that is anthropologically valid, the overarching aim of this book is to challenge assessments of Egyptian art and portraiture based on historically particularistic concepts that are foreign to its cultural premises and development.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Preface
Acknowledgements
List of Figures
List of Tables
List of Plates
Abbreviations
Part1 The Contribution of Ancient Egyptian Portraiture to Egyptology and History of Art
1 Definition and Phenomenology of Ancient Egyptian Portraiture
1 The Insoluble Dichotomy of Portraiture
2 The Transcendental Definition of Portraiture
3 Phenomenology of Ancient Egyptian Portraiture
2 Critique of the Egyptological Literature
1 Paradigms
2 The Seven Paradoxes of the Egyptological Terminology of Portraiture
3 Projections
4 Art, Portraiture, and Language: Conceptualism and Realism
5 Causes
6 Analysis, Style and History
7 Conclusion
Part2 History of the Notion of Portraiture in Egyptological Studies
3 Egyptian Portraiture in General Studies
1 The Egyptological Terminology of Portraiture
2 Realistic and Idealistic Portraiture: Art Historical Implications (1824–1960s)
3 Realistic and Idealistic Portraiture: Methods of Assessment
4 Realistic and Idealistic Portraiture: Causes
5 Stylistic and Iconographic Analysis (1950–2020)
6 Sociological and Anthropological Analysis
4 Excursus: The Definition of Portraiture in the Context of Specialist Studies
1 Heinrich Schäfer (1868–1957): Das Staunen über die Erfahrung Personen zu erinnern
2 Georg Steindorff (1861–1951): Nichts weiter als die steinernen Abbilder der betreffenden Personen
3 Günther Roeder (1881–1966): Ein ganz bestimmter Mensch und anderer als er
4 Alexander Scharff (1892–1950): Bursting the Fetters of its own Laws
5 Hermann Junker (1877–1962): Die geistige Persönlichkeit, die hinter der äußeren Erscheinung steht
6 Walther Wolf (1900–1973): Wechsel vom Denken zur Anschauung, vom Glauben zum Unglauben, von abstraktem zu konkretem Empfinden, von Idealismus zu Realismus!
7 Sergio Donadoni (1914–2015): ll valore essenziale della sensibilità luministica
8 Dows Dunham (1890–1984): To carry conviction as a true portrait in the modern sense
9 Claude Vandersleyen (1927–2021): La double volonté de caractériser l’individu par le nom et les traits, a figure is more reliable than an inscription
10 Andrey O.Bolshakov (1958: Purpose versus quality
11 Donald Spanel (1952: The coexistence of the natural and the ideal
12 Roland Tefnin (1946–2006): Portrait et individualisation, la gamme infinie des réalités possibles et le fosse séparant la typologie de la réalité historique
13 Jan Assmann (1938–2024): Selbstthematisierung; visualisierte Erinnerung; nicht der Verschönerung, sondern der Verewigung des Daseins
14 Dimitri Laboury (1969: Image incontourable, combinaison vectorielle, perméabilité, effet de réel et l’hypothèse d’une explication politique
Bibliography
Index
