Buch, Deutsch, Band 33, 480 Seiten, Print PDF, Format (B × H): 170 mm x 200 mm, Gewicht: 750 g
Part 1: Schriften, Fotos und Notizen & Part 2: Kommentare, Quellen und Verweise
Buch, Deutsch, Band 33, 480 Seiten, Print PDF, Format (B × H): 170 mm x 200 mm, Gewicht: 750 g
Reihe: FilmmuseumSynemaPublikationen
ISBN: 978-3-901644-76-4
Verlag: SYNEMA Gesellschaft für Film und Medien
In his films Guy Debord (1931–1994) worked according to the following principle: do nothing you should, do everything you should not. Created between 1952 and 1978, all the films reflect this rule and confirm what he referred to as his “detestable ambition.”
Gathered in a single volume for the first time in German, this publication unites the texts of all of Guy Debord’s films in a new translation: from his first film made in affiliation with the Lettrist group led by Isidore Isou, Hurlements en faveur de Sade (1952), an alteration of black and white sequences devoid of images; to works that originated in the course of his participation in the Situationist International, Sur le passage de quelques personnes à travers une assez courte unité de temps (1959) and Critique de la séparation (1961); to the adaptation of his best known theoretical work, La Société du spectacle (1973), followed by the response to his critics entitled Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film "La Société du spectacle" (1975) and his résumé, intended as an act of closure: In girum imus nocte et consumimur igni (1978).
Texts and images are true to the French original edition and complemented by a list of sources for the quotes, Debord’s notes on his films, drafts of unrealized film projects, as well as the text of the TV documentary he coauthored, Guy Debord, son art et son temps (1994).
Debord
Guy Debord: Das filmische Gesamtwerk [German-language Edition] jetzt bestellen!
Gathered in a single volume for the first time in German, this publication unites the texts of all of Guy Debord’s films in a new translation: from his first film made in affiliation with the Lettrist group led by Isidore Isou, Hurlements en faveur de Sade (1952), an alteration of black and white sequences devoid of images; to works that originated in the course of his participation in the Situationist International, Sur le passage de quelques personnes à travers une assez courte unité de temps (1959) and Critique de la séparation (1961); to the adaptation of his best known theoretical work, La Société du spectacle (1973), followed by the response to his critics entitled Réfutation de tous les jugements, tant élogieux qu'hostiles, qui ont été jusqu'ici portés sur le film "La Société du spectacle" (1975) and his résumé, intended as an act of closure: In girum imus nocte et consumimur igni (1978).
Texts and images are true to the French original edition and complemented by a list of sources for the quotes, Debord’s notes on his films, drafts of unrealized film projects, as well as the text of the TV documentary he coauthored, Guy Debord, son art et son temps (1994).
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Einzelne Filmschauspieler, Filmregisseure, Drehbuchautoren
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