de Assis / Giudici Machinic Assemblages of Desire

Deleuze and Artistic Research 3
Erscheinungsjahr 2021
ISBN: 978-94-6166-360-3
Verlag: Leuven University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 466 Seiten

Reihe: Orpheus Institute Series

More
volumes on 'Deleuze and Artistic Research':

- Aberrant
Nuptials
- The
Dark Precursor (Two-Volume Set)

Exploring
“assemblage theory” in relation to the arts and to artistic research

The concept of
assemblage has emerged in recent decades as a central tool for describing,
analysing, and transforming dynamic systems in a variety of disciplines. Coined
by Deleuze and Guattari in relation to different fields of knowledge, human
practices, and nonhuman arrangements, “assemblage” is variously applied today
in the arts, philosophy, and human and social sciences, forming links not only
between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the
concept’s uses, transpositions, and appropriations in the arts, bringing
together the voices of artists and philosophers that have been working on and
with this topic for many years with those of emerging scholar-practitioners. The
volume embraces exciting new and reconceived artistic practices that discuss
and challenge existing assemblages, propose new practices within given
assemblages, and seek to invent totally unprecedented assemblages.

Contributors: Gareth
Abrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, Rogério
Luiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfán,
Silvio Ferraz, José Gil, Barbara Glowczewski, Christoph Hubatschke, jan
jagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Maïda, Thomas Nail, Tero Nauha, Alex
Nowitz, Morgan O’Hara, Yota Passia, Peter Pál Pelbart, Panagiotis Roupas, Anne Sauvagnargues,
Niamh Schmidtke, Chris Stover, Ron Wigglesworth, Audrone Žukauskaite

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Autoren/Hrsg.

de Assis, Paulo

Giudici, Paolo

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Editors’ Preface

Introduction: Assemblage and Artistic ResearchPaulo de Assis
Cartographic Recording of Discourse: Mapping as an Emergent Rhizomatic Drawing ProcessRon Wigglesworth
Part 1: Music
Guattari, Consistency, and Experimental Musical AssemblagesEdward Campbell
Musical Interaction in the TetravalenceChris Stover
Time Music between Lines and Images: Time In-betweenSilvio Ferraz
Abstract Cartographies and Assemblages of Minimal Sound Units: A “Body-Organon”?Clara Maïda
Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical ExperimentalismIain Campbell
“Is Our Machines Learning Yet?”: Machine Learning’s Challenge to Improvisation and the AestheticGeorge E. Lewis
Assemblages of Multivocal and Schizophonic Practices: Unleashing the Machined VoiceAlex Nowitz
Travelling with Peratape: Narrating Poetics of an Assemblage of RecordingGuy Dubious
Machining the BirdLilija Duobliene
Part 2: Art
The DanceJosé Gil
Kinaesthetics: From Assemblages to Fields of CirculationThomas Nail
Ghastly Assemblages and Glittery Bodies without Organs in the Sculptures of David AltmejdBurcu Baykan
How to Dance with RobotsChristoph Hubatschke
Machines with Organs: Model 5052Vanessa Farfán
Recalcitrant Temporalities: Heterogeneous Time and the Simulated ImagePaul Dolan
The Machinic Desire of CinemaTero Nauha
Free Indirect Discourse and Assemblages: Literary Procedures in Deleuze and Guattari’s StyleAnnita Costa Malufe
The Intercessor or Heteronym in Gilles Deleuze and Fernando PessoaNiall Kennedy
Part 3: Ecosophy
Assemblages, Black Holes, and TerritoriesIan Buchanan
Planetary Assemblages: From Organic to Inorganic and BeyondAudrone Žukauskaite
Ethology of Images as Machinic AssemblagesAnne Sauvagnargues
The Transversality of Assemblages in Indigenous Australia and Alternative Environmental Struggles in FranceBarbara Glowczewski
Orquestra Errante: Improvising Assemblages Facing the Totalitarian AssemblageRogério Luiz Moraes Costa
Subjectification, Desubjectification, AssemblagesPeter Pál Pelbart
The Non-art of Tehching Hsieh: Art as Life/Life as Artjan jagodzinski
Decoding Surveillance Assemblages: How to Read Li Zi-Fong’s Lines and Hong Kong’s EyesHsiu-ju Stacy Lo
Addressing Problems of Our Capitalist Economies through Artistic ProductionNiamh Schmidtke
The Milieu and the Territorial Assemblage: Insights from ArchitectureGareth Abrahams
Hecate: An Apparatus for Mapping Urban Complexity
Yota Passia and Panagiotis Roupas
Appendix: Live TransmissionMorgan O’Hara
Appendix: Online Materials
Notes on Contributors
Index

Über Autor(innen)

de Assis, Paulo
Paulo de Assis is artist researcher (pianist, composer, music philosopher) and research fellow at the Orpheus Institute.

Giudici, Paolo
Paolo Giudici is an artist-researcher and associated researcher at the Orpheus Institute.