Theatricality

Erscheinungsjahr 2009
ISBN: 978-0-521-81269-6
Verlag: Cambridge University Press

Buch, Englisch, 256 Seiten, Format (B × H): 145 mm x 222 mm, Gewicht: 497 g

Reihe: Theatre and Performance Theory

This collection of specially-commissioned, accessible, essays explores that element of performance theory known as theatricality. Six case studies, each written by a specialist in the field, use historically specific circumstances to illustrate how and why the concept of theatricality was and is used. Topics discussed include early use of the term; employment of 'theatricality' by a number of other disciplines to describe events; non-Western interpretation of theatricality; and its use when discussing and analyzing political and cultural events and philosophies. The book provides a first-step guide for those discovering the complex yet rewarding world of performance theory.

Autoren/Hrsg.

Davis, Tracy

Davis, Tracy C.

Postlewait, Thomas

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatersoziologie, Theaterpsychologie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik

Inhaltsverzeichnis

Acknowledgements; Notes on contributors; List of illustrations; 1. Theatricality: an introduction Thomas Postlewait and Tracy C. Davis; 2. Performing miracles: the mysterious mimesis of Valenciennes (1547) Jody Enders; 3. Theatricality in classical Chinese drama Haiping Yan; 4. Theatricality and antitheatricality in Renaissance London Thomas Postlewait; 5. Theatricality and civil society Tracy C. Davis; 6. Defining political performance with Foucault and Habermas: strategic and communicative action Jon Erickson; 7. Theatricality's proper objects: genealogies of performance and gender theory Shannon Jackson; Works cited; Index.

Über Autor(innen)

Davis, Tracy C.
Tracy C. Davis is Barber Professor of the Performing Arts at Northwestern University. She is author of Actresses as Working Women: Their Social Identity in Victorian Culture, George Bernard Shaw and the Socialist Theatre, and The Economics of the British Stage, 1800–1914 and general editor of the Cambridge series Theatre and Performance Theory.

Postlewait, Thomas
Thomas Postlewait is Professor of theatre history at Ohio State University. He contributed to the Cambridge History of American Theatre, vol. two, and is the editor of the book series Studies in Theatre History and Culture with University of Iowa Press.