Strangeness in Jacobean Drama

1. Auflage 2020
ISBN: 978-0-367-50031-3
Verlag: Routledge

Buch, Englisch, 214 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 493 g

Reihe: Studies in Performance and Early Modern Drama

Callan Davies presents “strangeness” as a fresh critical paradigm for understanding the construction and performance of Jacobean drama—one that would have been deeply familiar to its playwrights and early audiences. This study brings together cultural analysis, philosophical enquiry, and the history of staged special effects to examine how preoccupation with the strange unites the verbal, visual, and philosophical elements of performance in works by Marston, Shakespeare, Middleton, Dekker, Heywood, and Beaumont and Fletcher.

Strangeness in Jacobean Drama therefore offers an alternative model for understanding this important period of English dramatic history that moves beyond categories such as “Shakespeare’s late plays,” “tragicomedy,” or the home of cynical and bloodthirsty tragedies.

This book will be of great interest to students and scholars of early modern drama and philosophy, rhetorical studies, and the history of science and technology.

Autoren/Hrsg.

Davies, Callan

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theaterregie, Theaterproduktion
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
• Technische Wissenschaften Technik Allgemein Technik: Allgemeines
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Fernsehproduktion
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker

Inhaltsverzeichnis

List of Illustrations

Acknowledgements

Introduction

Chapter 1: Speech: Strange Doctrines in The Dutch Courtesan, Macbeth, The Roaring Girl, and The White Devil

Chapter 2: Rhetoric: Rhetorical Strangeness

Chapter 3: Technology: Strange Special Effects in The Tempest and The Alchemist

Chapter 4: Philosophy: Desire, Scepticism, and Spectacle in A King and No King and the Age Plays

Conclusion

Index

Über Autor(innen)

Callan Davies researches the cultural, literary, and theatrical history of early modern England. He has taught at universities across the UK and at Shakespeare's Globe, and he is part of the project teams Before Shakespeare and Middling Culture. His work includes studies of Elizabethan playhouses, rhetoric, practice-as-research, and he edits the Curtain playhouse records for the research project Records of Early English Drama (REED).