Adorno and Performance

2014. Auflage 2014
ISBN: 978-1-137-42987-2
Verlag: Palgrave MacMillan UK

Buch, Englisch, 261 Seiten, Format (B × H): 145 mm x 218 mm, Gewicht: 4336 g

Reihe: Performance Philosophy

Adorno and Performance offers the first comprehensive examination of the vital role of performance within the philosophy of Theodor W. Adorno. Capacious in its ramifications for contemporary life, the term 'performance' here unlocks Adorno's dialectical thought process, which aimed at overcoming the stultifying uniformity of instrumental reason.

Zielgruppe

Research

Autoren/Hrsg.

Daddario, W.

Gritzner, K.

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte

Inhaltsverzeichnis

1. Introduction: Thinking Adorno and Performance; Will Daddario and Karoline Gritzner 2. Of Adorno's Beckett; Michal Kobialka 3. Thoughts which do not understand themselves: On Adorno's Dream Notes; Karoline Gritzner 4. Performativisation and the Rescue of the Aesthetic Semblance; Andrea Sakoparnig 5. On the 'difference between preaching an ideal and giving artistic form to the historical tension inherent in it'; Mischa Twitchin 6. Cooking Up a Theory of Performing; Anthony Gritten 7. Thinking Performance in Neoliberal Times: Adorno Encounters Neutral Hero; Ioana Jucan 8. Pleasing Shapes and Other Devilry: an Adornian Investigation of La Pocha Nostra Praxis; Stephen Robins 9. Thinking - Mimesis - Pre-Imitation: Notes on Art, Philosophy and Theatre in Adorno's Aesthetic Theory; Marcus Quent 10. On the Theatricality of Art; Anja Nowak 11. Adorno and Performance: Thinking with the Movement of Language; Birgit Hofstaetter 12. What is Adorno Doing? Immanent Critique as Philosophical Performance; Mattias Martinson 13. The Vanity of Happiness: Adorno and Self-Performance; Julie Kuhlken 14. Writing as Life Performed; Martin Parker Dixon Bibliography Index

Über Autor(innen)

Martin Parker Dixon, University of Glasgow, UK
Anthony Gritten, Royal Academy of Music, UK
Birgit Hofstaetter, University of Brighton, UK
Ioana Jucan, Brown University, USA
Michal Kobialka, University of Minnesota, USA
Julie Kuhlken, Independent Scholar, USA
Mattias Martinson, Uppsala University, Sweden
Anja Nowak, University of British Columbia, Canada
Marcus Quent, University of Leipzig, Germany
Stephen Robins, Independent Scholar, UK
Andrea Sakoparnig, Free University Berlin, Germany
Mischa Twitchin, Goldsmiths College, University of London, UK