Shakespeare through Islamic Worlds

1. Auflage 2024
ISBN: 978-1-032-10084-5
Verlag: Routledge

Buch, Englisch, 264 Seiten, Format (B × H): 129 mm x 198 mm, Gewicht: 287 g

Reihe: Spotlight on Shakespeare

Shakespeare through Islamic Worlds investigates the peculiar absence of Islam and Muslims from Shakespeare’s canon. While many of Shakespeare’s plays were set in the Mediterranean, a geography occupied by Muslim empires and cultures, his work eschews direct engagement with the religion and its people. This erasure is striking given the popularity of this topic in the plays of Shakespeare’s contemporaries.

By exploring the limited ways in which Shakespeare uses Islamic and Muslim tropes and topoi, Ambereen Dadabhoy argues that Islam and Muslim cultures function as an alternate or shadow text in his works, ranging from his staged Mediterranean plays to his histories and comedies. By consigning the diverse cultures of the Islamic regimes that occupied and populated the early modern Mediterranean, Shakespeare constructs a Europe and Mediterranean freed from the presence of non-white, non-European, and non-Christian Others, which belied the reality of the world in which he lived.

Focusing on the Muslims at the margins of Shakespeare’s works, Dadabhoy reveals that Islam and its cultures informed the plots, themes, and intellectual investments of Shakespeare’s plays. She puts Islam and Muslims back into the geographies and stories from which Shakespeare had evacuated them. This innovative book will be of interest to all those working on race, religion, global and cultural exchange within Shakespeare, as well as people working on Islamic, Mediterranean, and Asian studies in literature and the early modern period.

Honorable Mention: The SAA First Book 2025

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Dadabhoy, Ambereen

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft

Inhaltsverzeichnis

Acknowledgements

Introduction: Where are all my Muslims at or Shakespearean Erasures

Chapter 1: The Muslims Are Coming: The Tempest’s Brave Old Worlds

Chapter 2: Menace to Society: Turning to the "Turk" in Shakespeare’s History Plays

Chapter 3: The Moor You Know: Shakespeare’s Nation of Islam

Chapter 4: Turkish Delight: Twelfth Night’s Harem Life

Conclusion: "What is’t to me?" or Muslim Worlds through Shakespeare

Index

Über Autor(innen)

Ambereen Dadabhoy is Associate Professor of Literature at Harvey Mudd College, USA. She is the coauthor of Anti-Racist Shakespeare (with Nedda Mehdizadeh, 2023) and several articles on race and religion in Shakespeare and the early modern English literature.