Out of Touch

Skin Tropes and Identities in Woolf, Ellison, Pynchon, and Acker
1. Auflage 2002
ISBN: 978-0-415-94019-1
Verlag: Taylor & Francis Ltd

Buch, Englisch, 190 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 386 g

Reihe: Literary Criticism and Cultural Theory

Out of Touch investigates how skin has become a crucial but disavowed figure in twentieth-century literature, theory, and cultural criticism. These discourses reveal the extent to which skin figures in the cultural effect of changes in visual technologies, a development argued by critics to be at the heart of the contest between surface and depth and, by extension, Western globalization and identity politics. The skin has a complex history as a metaphorical terrain over which ideological wars are fought, identity is asserted through modification as in tattooing, and meaning is inscribed upon the human being. Yet even as interventions on the skin characterize much of this history, fantasy and science fiction literature and film trumpet skin's passing in the cybernetic age, and feminist theory calls for abandoning the skin as a hostile boundary.

Autoren/Hrsg.

Curtin, Maureen F.

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Englische Literatur
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Nachschlagewerke

Inhaltsverzeichnis

Acknowledgements Preface Introduction Chapter 1 Skin's Eclipses in Virginia Woolf's Mrs. Dalloway Chapter 2 Materializing Invisibility as X-Ray Technology: Skin Matters in Ralph Ellison's Invisible Man Chapter 3 Skin Harvests: Automation and Chromatism in Thomas Pynchon's "The Secret Integration" and Gravity's Rainbow Chapter 4 Scratching the Sensory Surface in Kathy Acker's Empire of the Senseless Conclusion Notes Bibliography Index

Über Autor(innen)

Maureen F. Curtin