Image and Mind

Film, Philosophy and Cognitive Science
Erscheinungsjahr 2004
ISBN: 978-0-521-45356-1
Verlag: Cambridge University Press

Buch, Englisch, 329 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 691 g

This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticizes attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal.

Autoren/Hrsg.

Currie, Gregory

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Introduction: the essence of cinema; Part I: Representation in Film; 1. The myth of illusion; 2. The imprint of nature; 3. Realism; 4. Languages of art and languages of film; Part II: Imagination; 5. Imagination, the general theory; 6. Imagination, personal and impersonal; 7. Travels in narrative time; Part III: Interpretation; 8. The interpretative problem; 9. Narrative and narrators.