Cunningham | The Cinema of Istvan Szabo | Buch | 978-0-231-17199-1 | sack.de

Buch, Englisch, 240 Seiten, Print PDF, Format (B × H): 154 mm x 233 mm, Gewicht: 337 g

Reihe: Directors' Cuts

Cunningham

The Cinema of Istvan Szabo

Visions of Europe
Erscheinungsjahr 2014
ISBN: 978-0-231-17199-1
Verlag: Columbia University Press

Visions of Europe

Buch, Englisch, 240 Seiten, Print PDF, Format (B × H): 154 mm x 233 mm, Gewicht: 337 g

Reihe: Directors' Cuts

ISBN: 978-0-231-17199-1
Verlag: Columbia University Press


István Szabó is one of Hungary's most celebrated and best-known film directors, and the only Hungarian to have won an Academy Award for Best Foreign Language Film, for Mephisto (1981). In a career spanning over five decades Szabó has relentlessly examined the place of the individual in European history, particularly those caught up in the turbulent events of Central Europe and his own native Hungary. His protagonists struggle to find a place for themselves, some meaning in their lives, security and a sense of being, against a background of two world wars (Colonel Redl, Confidence), the Holocaust (Sunshine), the Hungarian Uprising and the Cold War (Father, 25 Fireman's Street, Taking Sides). This is the first English-language study of all his feature films and uses material from interviews with Szabó and his collaborators. Also included are chapters on his formative years, including his time at the famous Budapest Film Academy and the relationship of the state to the film industry in Hungary.

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AcknowledgementsIntroduction: Beginnings1. Born into the Storm2. Growing Up, Film School and 19563. The Early Films: The Age of Daydreaming (Álmodozások kora); Father (Apa--egy hit naplója); Lovefilm (Szerelmesfilm)4. The 'Budapest' Films: Films: Budapest, Why I Love It (Budapest, amiért szeretem); 25 Fireman's Street (Tuzoltó utca 25); Budapest Tales (Budapesti mesék); City Map (Városterkép) and Confidence (Bizalom) 5. Tales from Mitteleuropa: Mephisto; Colonel Redl; Hanussen6. New Europe, New Hungary, New Problems: Meeting Venus and Sweet Emma, Dear Böbe (Édes Emma, drága Böbe) 7. 'The man who comes from somewhere else is always suspect': Sunshine8. To Go or Stay? Taking Sides9. Adaptations: Being Julia; Relatives; and The Door10. The Controversy Surrounding the Events of 1957 and After11. Szabo, Hungarian Cinema and the Question of Censorship--a Note12. Some ConclusionsNotesFilmographyBibliographyIndex


John Cunningham is the author of Hungarian Cinema: From Coffee House to Multiplex (2005) and many other articles and essays on Eastern European and particularly Hungarian cinema. He is now retired, but most recently taught Film Studies at Sheffield Hallam University, UK.



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