Buch, Englisch, 352 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 535 g
Reihe: Variorum Collected Studies
Studies on Images of the Saints and on Personal Piety
Buch, Englisch, 352 Seiten, Format (B × H): 156 mm x 234 mm, Gewicht: 535 g
Reihe: Variorum Collected Studies
ISBN: 978-1-032-33671-8
Verlag: Routledge
This volume includes various articles focusing on sphragistic images of saints and on the religious imagery of Byzantine seals as a means of investigating the personal piety of seal owners, as well as the wider realm of the visual piety and religious devotions of Byzantine culture at all levels. A companion volume includes studies dedicated to the image of Christ, primarily found on imperial seals, various images of the Virgin, and narrative or Christological scenes. (CS1086).
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Christentum, Christliche Theologie Christliche Kirchen, Konfessionen, Denominationen
- Rechtswissenschaften Öffentliches Recht Staats- und Verfassungsrecht Staat und Kirche, Religions- und Kirchenrecht
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
- Geisteswissenschaften Religionswissenschaft Religionswissenschaft Allgemein Religionsgeschichte
- Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Christliches Leben & Praxis
- Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein
Weitere Infos & Material
Introduction; Part 1: SAINTS’ IMAGES ON SEALS; 1. Saints & Cult Centers: A Geographic & Administrative Perspective in Light of Byzantine Lead Seals; 2. An Eleventh-Century Seal with a Representation of Patriarch Antony II Kauleas; 3. The Contribution of Byzantine Lead Seals to the Study of the Cult of the Saints (Sixth-Twelfth Century); 4. ’What Shall We Call You, O Holy Ones?’ (Martyrikon Automelon, Plagal 4th): Images of Saints and Their Invocations on Byzantine Lead Seals as Means of Investigating Personal Piety (6th-12th Centuries); 5. Choired Saints on Byzantine Lead Seals & Their Significance (Sixth-Twelfth Centuries): A Preliminary Report; 6. An Image of Saint Nicholas with the ‘Tongues of Fire’ on a Byzantine Lead Seal; Part 2: SPHRAGISTIC IMAGERY AND PERSONAL PIETY; 7. Onomastics, Gender, Office and Images on Byzantine Lead Seals: A Means of Investigating Personal Piety; 8. Religious Figural Images on Byzantine Lead Seals as a Reflection of Visual Piety during the Iconoclastic Controversy