Photography After Conceptual A

1. Auflage 2010
ISBN: 978-1-4443-3360-2
Verlag: Wiley

Buch, Englisch, 208 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 372 g

Reihe: Art History Special Issues

Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium  - Selected by Choice as an Outstanding Academic Title for 2011
- Appeals to people interested in artist's use of photography and in contemporary art  
- Tracks the efflorescence of photography as one of the most important mediums for contemporary art 
- Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case 
- Includes a number of the essays with previously unpublished photographs
- Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall

Autoren/Hrsg.

Costello, Diarmuid

Iversen, Margaret

Fachgebiete

• Geisteswissenschaften Kunst Fotografie Besondere Themen und Arten der Fotografie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert Konzeptkunst, Postmodernismus

Inhaltsverzeichnis

Notes on contributors vi

1 Introduction: Photography after conceptual art 1
Diarmuid Costello and Margaret Iversen

2 Auto-maticity: Ruscha and performative photography 12
Margaret Iversen

3 Ed Ruscha, Heidegger, and deadpan photography 28
Aron Vinegar

4 Subject, object, mimesis: The aesthetic world of the Bechers’ photography 50
Sarah E. James

5 Exit ghost: Douglas Huebler’s face value 70
Gordon Hughes

6 Productive misunderstandings: Interpreting Mel Bochner’s theory of photography 86
Luke Skrebowski

7 Roni Horn’s Icelandic encyclopedia 108
Mark Godfrey

8 Thomas Demand, Jeff Wall and Sherrie Levine: Deforming ‘Pictures’ 130
Tamara Trodd

9 Almost Merovingian: On Jeff Wall’s relation to nearly everything 153
Wolfgang Bruckle

10 Morning cleaning: Jeff Wall and The Large Glass 172
Christine Conley

Index 193

Über Autor(innen)

Diarmuid Costello is Associate Professor of Philosophy, University of Warwick. He co-edited (with Dominic Willsdon) The Life and Death of Images: Ethics and Aesthetics (2008), and (with Jonathan Vickery) Art: Key Contemporary Thinkers (2007). His articles have appeared in British Journal of Aesthetics, Journal of Aesthetics and Art Criticism, Critical Inquiry, Rivista di Estetica, and Angelaki.  
Margaret Iversen is Professor of Art History and Theory, University of Essex. Her books include Beyond Pleasure: Freud, Lacan, Barthes (2007); Alois Riegl: Art History and Theory (1993); Mary Kelly, co-authored with Douglas Crimp and Homi Bhabha (1997). Writing Art History, co-authored with Stephen Melville, is forthcoming.

Iversen and Costello are also Co-Directors of the AHRC research project "Aesthetics after Photography."